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  • Baltimore, Maryland - October 14, 2014: Baltimore Museum of Art Director Doreen Bolger stands in front of the Historic East Entrance, which has been closed for decades. <br />
The BMA is undergoing renovations slated to finish in November. The historic East opening, which has been closed for decades, will become the main entrance again.<br />
<br />
CREDIT: Matt Roth for The New York Times<br />
Assignment ID: 30165045A
    141014_BMA_Renovations_284.jpg
  • Baltimore, Maryland - October 14, 2014: Baltimore Museum of Art Director Doreen Bolger stands in front of the Historic East Entrance, which has been closed for decades. <br />
The BMA is undergoing renovations slated to finish in November. The historic East opening, which has been closed for decades, will become the main entrance again.<br />
<br />
CREDIT: Matt Roth for The New York Times<br />
Assignment ID: 30165045A
    141014_BMA_Renovations_272.jpg
  • Baltimore, Maryland - October 14, 2014: Baltimore Museum of Art Director Doreen Bolger stands in front of the Historic East Entrance, which has been closed for decades. <br />
The BMA is undergoing renovations slated to finish in November. The historic East opening, which has been closed for decades, will become the main entrance again.<br />
<br />
CREDIT: Matt Roth for The New York Times<br />
Assignment ID: 30165045A
    141014_BMA_Renovations_212.jpg
  • Baltimore, Maryland - October 14, 2014: Baltimore Museum of Art Director Doreen Bolger stands in front of the Historic East Entrance, which has been closed for decades. <br />
The BMA is undergoing renovations slated to finish in November. The historic East opening, which has been closed for decades, will become the main entrance again.<br />
<br />
CREDIT: Matt Roth for The New York Times<br />
Assignment ID: 30165045A
    141014_BMA_Renovations_162.jpg
  • Baltimore, Maryland - October 14, 2014: Baltimore Museum of Art Director Doreen Bolger stands in front of the Historic East Entrance, which has been closed for decades. <br />
The BMA is undergoing renovations slated to finish in November. The historic East opening, which has been closed for decades, will become the main entrance again.<br />
<br />
CREDIT: Matt Roth for The New York Times<br />
Assignment ID: 30165045A
    141014_BMA_Renovations_237.jpg
  • Baltimore, Maryland - October 14, 2014: Baltimore Museum of Art Director Doreen Bolger stands in front of the Historic East Entrance, which has been closed for decades. <br />
The BMA is undergoing renovations slated to finish in November. The historic East opening, which has been closed for decades, will become the main entrance again.<br />
<br />
CREDIT: Matt Roth for The New York Times<br />
Assignment ID: 30165045A
    141014_BMA_Renovations_225.jpg
  • Baltimore, Maryland - October 14, 2014: Baltimore Museum of Art Director Doreen Bolger stands in front of the Historic East Entrance, which has been closed for decades. <br />
The BMA is undergoing renovations slated to finish in November. The historic East opening, which has been closed for decades, will become the main entrance again.<br />
<br />
CREDIT: Matt Roth for The New York Times<br />
Assignment ID: 30165045A
    141014_BMA_Renovations_198.jpg
  • Baltimore, Maryland - October 14, 2014: Baltimore Museum of Art Director Doreen Bolger stands in front of the Historic East Entrance, which has been closed for decades. <br />
The BMA is undergoing renovations slated to finish in November. The historic East opening, which has been closed for decades, will become the main entrance again.<br />
<br />
CREDIT: Matt Roth for The New York Times<br />
Assignment ID: 30165045A
    141014_BMA_Renovations_179.jpg
  • Baltimore, Maryland - October 13, 2014: One of the original "heroic" sized castings of Auguste Rodin's "The Thinker" is part of the Baltimore Museum of Art's permanent collection. The museum is set to finish renovations in November. "The Thinker" casting will be moved one hallway over so it can be seen from the museum's newly re-opened East historic entrance, which has been closed for decades. <br />
<br />
<br />
CREDIT: Matt Roth for The New York Times<br />
Assignment ID: 30165045A
    141013_BMA_Renovations_055.JPG
  • Baltimore, Maryland - October 13, 2014: One of the original "heroic" sized castings of Auguste Rodin's "The Thinker" is part of the Baltimore Museum of Art's permanent collection. The museum is set to finish renovations in November. "The Thinker" casting will be moved one hallway over so it can be seen from the museum's newly re-opened East historic entrance, which has been closed for decades. <br />
<br />
<br />
CREDIT: Matt Roth for The New York Times<br />
Assignment ID: 30165045A
    141013_BMA_Renovations_048.JPG
  • Baltimore, Maryland - October 13, 2014: One of the original "heroic" sized castings of Auguste Rodin's "The Thinker" is part of the Baltimore Museum of Art's permanent collection. The museum is set to finish renovations in November. "The Thinker" casting will be moved one hallway over so it can be seen from the museum's newly re-opened East historic entrance, which has been closed for decades. <br />
<br />
<br />
CREDIT: Matt Roth for The New York Times<br />
Assignment ID: 30165045A
    141013_BMA_Renovations_053.JPG
  • Baltimore, Maryland - October 13, 2014: One of the original "heroic" sized castings of Auguste Rodin's "The Thinker" is part of the Baltimore Museum of Art's permanent collection. The museum is set to finish renovations in November. "The Thinker" casting will be moved one hallway over so it can be seen from the museum's newly re-opened East historic entrance, which has been closed for decades. <br />
<br />
<br />
CREDIT: Matt Roth for The New York Times<br />
Assignment ID: 30165045A
    141013_BMA_Renovations_037.JPG
  • Baltimore, Maryland - October 13, 2014: One of the original "heroic" sized castings of Auguste Rodin's "The Thinker" is part of the Baltimore Museum of Art's permanent collection. The museum is set to finish renovations in November. "The Thinker" casting will be moved one hallway over so it can be seen from the museum's newly re-opened East historic entrance, which has been closed for decades. <br />
<br />
<br />
CREDIT: Matt Roth for The New York Times<br />
Assignment ID: 30165045A
    141013_BMA_Renovations_028.JPG
  • Baltimore, Maryland - October 13, 2014: One of the original "heroic" sized castings of Auguste Rodin's "The Thinker" is part of the Baltimore Museum of Art's permanent collection. The museum is set to finish renovations in November. "The Thinker" casting will be moved one hallway over so it can be seen from the museum's newly re-opened East historic entrance, which has been closed for decades. <br />
<br />
<br />
CREDIT: Matt Roth for The New York Times<br />
Assignment ID: 30165045A
    141013_BMA_Renovations_016.JPG
  • Baltimore, Maryland - October 14, 2014: Baltimore Museum of Art Director Doreen Bolger stands in front of the Historic East Entrance, which has been closed for decades. <br />
The BMA is undergoing renovations slated to finish in November. The historic East opening, which has been closed for decades, will become the main entrance again.<br />
<br />
CREDIT: Matt Roth for The New York Times<br />
Assignment ID: 30165045A
    141014_BMA_Renovations_259.jpg
  • Baltimore, Maryland - October 14, 2014: Baltimore Museum of Art Director Doreen Bolger stands in front of the Historic East Entrance, which has been closed for decades. <br />
The BMA is undergoing renovations slated to finish in November. The historic East opening, which has been closed for decades, will become the main entrance again.<br />
<br />
CREDIT: Matt Roth for The New York Times<br />
Assignment ID: 30165045A
    141014_BMA_Renovations_218.jpg
  • Baltimore, Maryland - October 14, 2014: Baltimore Museum of Art Director Doreen Bolger stands in front of the Historic East Entrance, which has been closed for decades. <br />
The BMA is undergoing renovations slated to finish in November. The historic East opening, which has been closed for decades, will become the main entrance again.<br />
<br />
CREDIT: Matt Roth for The New York Times<br />
Assignment ID: 30165045A
    141014_BMA_Renovations_202.jpg
  • Baltimore, Maryland - October 14, 2014: Baltimore Museum of Art Director Doreen Bolger stands in front of the Historic East Entrance, which has been closed for decades. <br />
The BMA is undergoing renovations slated to finish in November. The historic East opening, which has been closed for decades, will become the main entrance again.<br />
<br />
CREDIT: Matt Roth for The New York Times<br />
Assignment ID: 30165045A
    141014_BMA_Renovations_195.jpg
  • Baltimore, Maryland - October 14, 2014: Baltimore Museum of Art Director Doreen Bolger stands in front of the Historic East Entrance, which has been closed for decades. <br />
The BMA is undergoing renovations slated to finish in November. The historic East opening, which has been closed for decades, will become the main entrance again.<br />
<br />
CREDIT: Matt Roth for The New York Times<br />
Assignment ID: 30165045A
    141014_BMA_Renovations_190.jpg
  • Baltimore, Maryland - October 14, 2014: Baltimore Museum of Art Director Doreen Bolger stands in front of the Historic East Entrance, which has been closed for decades. <br />
The BMA is undergoing renovations slated to finish in November. The historic East opening, which has been closed for decades, will become the main entrance again.<br />
<br />
CREDIT: Matt Roth for The New York Times<br />
Assignment ID: 30165045A
    141014_BMA_Renovations_187.jpg
  • Baltimore, Maryland - October 14, 2014: Baltimore Museum of Art Director Doreen Bolger stands in front of the Historic East Entrance, which has been closed for decades. <br />
The BMA is undergoing renovations slated to finish in November. The historic East opening, which has been closed for decades, will become the main entrance again.<br />
<br />
CREDIT: Matt Roth for The New York Times<br />
Assignment ID: 30165045A
    141014_BMA_Renovations_159.jpg
  • Baltimore, Maryland - October 14, 2014: Baltimore Museum of Art Director Doreen Bolger stands in front of the Historic East Entrance, which has been closed for decades. <br />
The BMA is undergoing renovations slated to finish in November. The historic East opening, which has been closed for decades, will become the main entrance again.<br />
<br />
CREDIT: Matt Roth for The New York Times<br />
Assignment ID: 30165045A
    141014_BMA_Renovations_147.jpg
  • Baltimore, Maryland - October 14, 2014: Baltimore Museum of Art Director Doreen Bolger stands in front of the Historic East Entrance, which has been closed for decades. <br />
The BMA is undergoing renovations slated to finish in November. The historic East opening, which has been closed for decades, will become the main entrance again.<br />
<br />
CREDIT: Matt Roth for The New York Times<br />
Assignment ID: 30165045A
    141014_BMA_Renovations_137.jpg
  • Baltimore, Maryland - October 14, 2014: Baltimore Museum of Art Director Doreen Bolger stands in front of the Historic East Entrance, which has been closed for decades. <br />
The BMA is undergoing renovations slated to finish in November. The historic East opening, which has been closed for decades, will become the main entrance again.<br />
<br />
CREDIT: Matt Roth for The New York Times<br />
Assignment ID: 30165045A
    141014_BMA_Renovations_134.jpg
  • Baltimore, Maryland - October 13, 2014: "The Thinker" casting will be moved one hallway over, to the pictured location, so it can be seen from the museum's newly re-opened East historic entrance, which has been closed for decades. <br />
<br />
One of the original "heroic" sized castings of Auguste Rodin's "The Thinker" is part of The Baltimore Museum of Art's permanent collection. The museum is set to finish renovations in November. <br />
<br />
CREDIT: Matt Roth for The New York Times<br />
Assignment ID: 30165045A
    141013_BMA_Renovations_023.JPG
  • Baltimore, Maryland - October 14, 2014: Baltimore Museum of Art Director Doreen Bolger stands in front of the Historic East Entrance, which has been closed for decades. <br />
The BMA is undergoing renovations slated to finish in November. The historic East opening, which has been closed for decades, will become the main entrance again.<br />
<br />
CREDIT: Matt Roth for The New York Times<br />
Assignment ID: 30165045A
    141014_BMA_Renovations_176.jpg
  • Baltimore, Maryland - October 14, 2014: The Baltimore Museum of Art is undergoing renovations slated to finish in November. The historic East opening, which has been closed for decades, will become the main entrance again.<br />
<br />
CREDIT: Matt Roth for The New York Times<br />
Assignment ID: 30165045A
    141014_BMA_Renovations_132.jpg
  • Baltimore, Maryland - October 14, 2014: The Baltimore Museum of Art is undergoing renovations slated to finish in November. The historic East opening, which has been closed for decades, will become the main entrance again.<br />
<br />
CREDIT: Matt Roth for The New York Times<br />
Assignment ID: 30165045A
    141014_BMA_Renovations_128.jpg
  • Baltimore, Maryland - October 14, 2014: The Baltimore Museum of Art is undergoing renovations slated to finish in November. The historic East opening, which has been closed for decades, will become the main entrance again.<br />
<br />
CREDIT: Matt Roth for The New York Times<br />
Assignment ID: 30165045A
    141014_BMA_Renovations_123.jpg
  • Baltimore, Maryland - October 13, 2014: One of the original "heroic" sized castings of Auguste Rodin's "The Thinker" is part of the Baltimore Museum of Art's permanent collection. The museum is set to finish renovations in November. "The Thinker" casting will be moved one hallway over so it can be seen from the museum's newly re-opened East historic entrance, which has been closed for decades. <br />
<br />
<br />
CREDIT: Matt Roth for The New York Times<br />
Assignment ID: 30165045A
    141013_BMA_Renovations_066.JPG
  • Baltimore, Maryland - October 13, 2014: One of the original "heroic" sized castings of Auguste Rodin's "The Thinker" is part of the Baltimore Museum of Art's permanent collection. The museum is set to finish renovations in November. "The Thinker" casting will be moved one hallway over so it can be seen from the museum's newly re-opened East historic entrance, which has been closed for decades. <br />
<br />
<br />
CREDIT: Matt Roth for The New York Times<br />
Assignment ID: 30165045A
    141013_BMA_Renovations_062.JPG
  • Baltimore, Maryland - October 13, 2014: One of the original "heroic" sized castings of Auguste Rodin's "The Thinker" is part of the Baltimore Museum of Art's permanent collection. The museum is set to finish renovations in November. "The Thinker" casting will be moved one hallway over so it can be seen from the museum's newly re-opened East historic entrance, which has been closed for decades. <br />
<br />
<br />
CREDIT: Matt Roth for The New York Times<br />
Assignment ID: 30165045A
    141013_BMA_Renovations_044.JPG
  • Baltimore, Maryland - October 13, 2014: One of the original "heroic" sized castings of Auguste Rodin's "The Thinker" is part of the Baltimore Museum of Art's permanent collection. The museum is set to finish renovations in November. "The Thinker" casting will be moved one hallway over so it can be seen from the museum's newly re-opened East historic entrance, which has been closed for decades. <br />
<br />
<br />
CREDIT: Matt Roth for The New York Times<br />
Assignment ID: 30165045A
    141013_BMA_Renovations_029.JPG
  • Baltimore, Maryland - October 13, 2014: One of the original "heroic" sized castings of Auguste Rodin's "The Thinker" is part of the Baltimore Museum of Art's permanent collection. The museum is set to finish renovations in November. "The Thinker" casting will be moved one hallway over so it can be seen from the museum's newly re-opened East historic entrance, which has been closed for decades. <br />
<br />
<br />
CREDIT: Matt Roth for The New York Times<br />
Assignment ID: 30165045A
    141013_BMA_Renovations_020.JPG
  • Baltimore, Maryland - October 13, 2014: One of the original "heroic" sized castings of Auguste Rodin's "The Thinker" is part of the Baltimore Museum of Art's permanent collection. The museum is set to finish renovations in November. "The Thinker" casting will be moved one hallway over so it can be seen from the museum's newly re-opened East historic entrance, which has been closed for decades. <br />
<br />
<br />
CREDIT: Matt Roth for The New York Times<br />
Assignment ID: 30165045A
    141013_BMA_Renovations_010.JPG
  • Baltimore, Maryland - October 14, 2014: The Baltimore Museum of Art is undergoing renovations slated to finish in November. The historic East opening, which has been closed for decades, will become the main entrance again.<br />
<br />
CREDIT: Matt Roth for The New York Times<br />
Assignment ID: 30165045A
    141014_BMA_Renovations_122.jpg
  • Baltimore, Maryland - October 13, 2014: Sir Anthony van Dyck's painting "Rinaldo and Armida" hangs in the Baltimore Museum of Art Monday October 13, 2014. <br />
<br />
The BMA is undergoing renovations slated to finish in November. The historic East opening, which has been closed for decades, will become the main entrance again.<br />
<br />
CREDIT: Matt Roth for The New York Times<br />
Assignment ID: 30165045A
    141013_BMA_Renovations_077.JPG
  • Baltimore, Maryland - October 13, 2014: Sir Anthony van Dyck's painting "Rinaldo and Armida" hangs in the Baltimore Museum of Art Monday October 13, 2014. <br />
<br />
The BMA is undergoing renovations slated to finish in November. The historic East opening, which has been closed for decades, will become the main entrance again.<br />
<br />
CREDIT: Matt Roth for The New York Times<br />
Assignment ID: 30165045A
    141013_BMA_Renovations_074.JPG
  • Photo by Matt Roth<br />
Assignment ID: 10139164A<br />
<br />
Linda Smith, photographed on Thursday, February 28, 2013, is a painter with an M.F.A. from Vermont College of Fine Arts, and works as a guard at the Baltimore Museum of Art.
    130228 Linda Smith BMA Guard 055.JPG
  • Photo by Matt Roth<br />
Assignment ID: 10139164A<br />
<br />
Linda Smith, photographed on Thursday, February 28, 2013, is a painter with an M.F.A. from Vermont College of Fine Arts, and works as a guard at the Baltimore Museum of Art.
    130228 Linda Smith BMA Guard 311.JPG
  • Photo by Matt Roth<br />
Assignment ID: 10139164A<br />
<br />
Linda Smith, photographed on Thursday, February 28, 2013, is a painter with an M.F.A. from Vermont College of Fine Arts, and works as a guard at the Baltimore Museum of Art.
    130228 Linda Smith BMA Guard 263.JPG
  • Photo by Matt Roth<br />
Assignment ID: 10139164A<br />
<br />
Linda Smith, photographed on Thursday, February 28, 2013, is a painter with an M.F.A. from Vermont College of Fine Arts, and works as a guard at the Baltimore Museum of Art.
    130228 Linda Smith BMA Guard 256.JPG
  • Photo by Matt Roth<br />
Assignment ID: 10139164A<br />
<br />
Linda Smith, photographed on Thursday, February 28, 2013, is a painter with an M.F.A. from Vermont College of Fine Arts, and works as a guard at the Baltimore Museum of Art.
    130228 Linda Smith BMA Guard 096.JPG
  • (photo by Matt Roth)..The Collective's annual concert is called "American Modernism." These photos were made during their dress rehearsal at the Baltimore Museum of Art Auditorium Friday, March 19, 2010...Inspirations for the performances are based around the works of Cezanne, commonly referred to as the father of American Modernism, whose work is on display at the Baltimore Museum of Art...The pieces are: .movement activity: CEZANNE, guest choreographed by Mikey Butane Thomas..The Umbrella's Bones, choreographed by Cait Moler..Cezanne's Reverie, choreographed by Jessica Fultz..Obviously, I'm Not a Golfer, choreographed by Lauren Withhart..Luminous Void, Choroegraphed by Emily Tankersly..Mozart and Mayheim, guest choreographed by Nancy Wanich..The Community Project 2010: Still Life, Choreography by Martha Reyner..Optics, Choreography by Sonia Synkowski (with collaborative input from the dancers)
    100319TheCollective4365.jpg
  • (photo by Matt Roth)..The Collective's annual concert is called "American Modernism." These photos were made during their dress rehearsal at the Baltimore Museum of Art Auditorium Friday, March 19, 2010...Inspirations for the performances are based around the works of Cezanne, commonly referred to as the father of American Modernism, whose work is on display at the Baltimore Museum of Art...The pieces are: .movement activity: CEZANNE, guest choreographed by Mikey Butane Thomas..The Umbrella's Bones, choreographed by Cait Moler..Cezanne's Reverie, choreographed by Jessica Fultz..Obviously, I'm Not a Golfer, choreographed by Lauren Withhart..Luminous Void, Choroegraphed by Emily Tankersly..Mozart and Mayheim, guest choreographed by Nancy Wanich..The Community Project 2010: Still Life, Choreography by Martha Reyner..Optics, Choreography by Sonia Synkowski (with collaborative input from the dancers)
    100319TheCollective3679.jpg
  • (photo by Matt Roth)..The Collective's annual concert is called "American Modernism." These photos were made during their dress rehearsal at the Baltimore Museum of Art Auditorium Friday, March 19, 2010...Inspirations for the performances are based around the works of Cezanne, commonly referred to as the father of American Modernism, whose work is on display at the Baltimore Museum of Art...The pieces are: .movement activity: CEZANNE, guest choreographed by Mikey Butane Thomas..The Umbrella's Bones, choreographed by Cait Moler..Cezanne's Reverie, choreographed by Jessica Fultz..Obviously, I'm Not a Golfer, choreographed by Lauren Withhart..Luminous Void, Choroegraphed by Emily Tankersly..Mozart and Mayheim, guest choreographed by Nancy Wanich..The Community Project 2010: Still Life, Choreography by Martha Reyner..Optics, Choreography by Sonia Synkowski (with collaborative input from the dancers)
    100319TheCollective3543.jpg
  • (photo by Matt Roth)..The Collective's annual concert is called "American Modernism." These photos were made during their dress rehearsal at the Baltimore Museum of Art Auditorium Friday, March 19, 2010...Inspirations for the performances are based around the works of Cezanne, commonly referred to as the father of American Modernism, whose work is on display at the Baltimore Museum of Art...The pieces are: .movement activity: CEZANNE, guest choreographed by Mikey Butane Thomas..The Umbrella's Bones, choreographed by Cait Moler..Cezanne's Reverie, choreographed by Jessica Fultz..Obviously, I'm Not a Golfer, choreographed by Lauren Withhart..Luminous Void, Choroegraphed by Emily Tankersly..Mozart and Mayheim, guest choreographed by Nancy Wanich..The Community Project 2010: Still Life, Choreography by Martha Reyner..Optics, Choreography by Sonia Synkowski (with collaborative input from the dancers)
    100319TheCollective2897.jpg
  • (photo by Matt Roth)..The Collective's annual concert is called "American Modernism." These photos were made during their dress rehearsal at the Baltimore Museum of Art Auditorium Friday, March 19, 2010...Inspirations for the performances are based around the works of Cezanne, commonly referred to as the father of American Modernism, whose work is on display at the Baltimore Museum of Art...The pieces are: .movement activity: CEZANNE, guest choreographed by Mikey Butane Thomas..The Umbrella's Bones, choreographed by Cait Moler..Cezanne's Reverie, choreographed by Jessica Fultz..Obviously, I'm Not a Golfer, choreographed by Lauren Withhart..Luminous Void, Choroegraphed by Emily Tankersly..Mozart and Mayheim, guest choreographed by Nancy Wanich..The Community Project 2010: Still Life, Choreography by Martha Reyner..Optics, Choreography by Sonia Synkowski (with collaborative input from the dancers)
    100319TheCollective1286.jpg
  • (photo by Matt Roth)..The Collective's annual concert is called "American Modernism." These photos were made during their dress rehearsal at the Baltimore Museum of Art Auditorium Friday, March 19, 2010...Inspirations for the performances are based around the works of Cezanne, commonly referred to as the father of American Modernism, whose work is on display at the Baltimore Museum of Art...The pieces are: .movement activity: CEZANNE, guest choreographed by Mikey Butane Thomas..The Umbrella's Bones, choreographed by Cait Moler..Cezanne's Reverie, choreographed by Jessica Fultz..Obviously, I'm Not a Golfer, choreographed by Lauren Withhart..Luminous Void, Choroegraphed by Emily Tankersly..Mozart and Mayheim, guest choreographed by Nancy Wanich..The Community Project 2010: Still Life, Choreography by Martha Reyner..Optics, Choreography by Sonia Synkowski (with collaborative input from the dancers)
    100319TheCollective1230.jpg
  • (photo by Matt Roth)..The Collective's annual concert is called "American Modernism." These photos were made during their dress rehearsal at the Baltimore Museum of Art Auditorium Friday, March 19, 2010...Inspirations for the performances are based around the works of Cezanne, commonly referred to as the father of American Modernism, whose work is on display at the Baltimore Museum of Art...The pieces are: .movement activity: CEZANNE, guest choreographed by Mikey Butane Thomas..The Umbrella's Bones, choreographed by Cait Moler..Cezanne's Reverie, choreographed by Jessica Fultz..Obviously, I'm Not a Golfer, choreographed by Lauren Withhart..Luminous Void, Choroegraphed by Emily Tankersly..Mozart and Mayheim, guest choreographed by Nancy Wanich..The Community Project 2010: Still Life, Choreography by Martha Reyner..Optics, Choreography by Sonia Synkowski (with collaborative input from the dancers)
    100319TheCollective0896.jpg
  • (photo by Matt Roth)..The Collective's annual concert is called "American Modernism." These photos were made during their dress rehearsal at the Baltimore Museum of Art Auditorium Friday, March 19, 2010...Inspirations for the performances are based around the works of Cezanne, commonly referred to as the father of American Modernism, whose work is on display at the Baltimore Museum of Art...The pieces are: .movement activity: CEZANNE, guest choreographed by Mikey Butane Thomas..The Umbrella's Bones, choreographed by Cait Moler..Cezanne's Reverie, choreographed by Jessica Fultz..Obviously, I'm Not a Golfer, choreographed by Lauren Withhart..Luminous Void, Choroegraphed by Emily Tankersly..Mozart and Mayheim, guest choreographed by Nancy Wanich..The Community Project 2010: Still Life, Choreography by Martha Reyner..Optics, Choreography by Sonia Synkowski (with collaborative input from the dancers)
    100319TheCollective0824.jpg
  • (photo by Matt Roth)..The Collective's annual concert is called "American Modernism." These photos were made during their dress rehearsal at the Baltimore Museum of Art Auditorium Friday, March 19, 2010...Inspirations for the performances are based around the works of Cezanne, commonly referred to as the father of American Modernism, whose work is on display at the Baltimore Museum of Art...The pieces are: .movement activity: CEZANNE, guest choreographed by Mikey Butane Thomas..The Umbrella's Bones, choreographed by Cait Moler..Cezanne's Reverie, choreographed by Jessica Fultz..Obviously, I'm Not a Golfer, choreographed by Lauren Withhart..Luminous Void, Choroegraphed by Emily Tankersly..Mozart and Mayheim, guest choreographed by Nancy Wanich..The Community Project 2010: Still Life, Choreography by Martha Reyner..Optics, Choreography by Sonia Synkowski (with collaborative input from the dancers)
    100319TheCollective0772.jpg
  • (photo by Matt Roth)..The Collective's annual concert is called "American Modernism." These photos were made during their dress rehearsal at the Baltimore Museum of Art Auditorium Friday, March 19, 2010...Inspirations for the performances are based around the works of Cezanne, commonly referred to as the father of American Modernism, whose work is on display at the Baltimore Museum of Art...The pieces are: .movement activity: CEZANNE, guest choreographed by Mikey Butane Thomas..The Umbrella's Bones, choreographed by Cait Moler..Cezanne's Reverie, choreographed by Jessica Fultz..Obviously, I'm Not a Golfer, choreographed by Lauren Withhart..Luminous Void, Choroegraphed by Emily Tankersly..Mozart and Mayheim, guest choreographed by Nancy Wanich..The Community Project 2010: Still Life, Choreography by Martha Reyner..Optics, Choreography by Sonia Synkowski (with collaborative input from the dancers)
    100319TheCollective5022.jpg
  • (photo by Matt Roth)..The Collective's annual concert is called "American Modernism." These photos were made during their dress rehearsal at the Baltimore Museum of Art Auditorium Friday, March 19, 2010...Inspirations for the performances are based around the works of Cezanne, commonly referred to as the father of American Modernism, whose work is on display at the Baltimore Museum of Art...The pieces are: .movement activity: CEZANNE, guest choreographed by Mikey Butane Thomas..The Umbrella's Bones, choreographed by Cait Moler..Cezanne's Reverie, choreographed by Jessica Fultz..Obviously, I'm Not a Golfer, choreographed by Lauren Withhart..Luminous Void, Choroegraphed by Emily Tankersly..Mozart and Mayheim, guest choreographed by Nancy Wanich..The Community Project 2010: Still Life, Choreography by Martha Reyner..Optics, Choreography by Sonia Synkowski (with collaborative input from the dancers)
    100319TheCollective4821.jpg
  • (photo by Matt Roth)..The Collective's annual concert is called "American Modernism." These photos were made during their dress rehearsal at the Baltimore Museum of Art Auditorium Friday, March 19, 2010...Inspirations for the performances are based around the works of Cezanne, commonly referred to as the father of American Modernism, whose work is on display at the Baltimore Museum of Art...The pieces are: .movement activity: CEZANNE, guest choreographed by Mikey Butane Thomas..The Umbrella's Bones, choreographed by Cait Moler..Cezanne's Reverie, choreographed by Jessica Fultz..Obviously, I'm Not a Golfer, choreographed by Lauren Withhart..Luminous Void, Choroegraphed by Emily Tankersly..Mozart and Mayheim, guest choreographed by Nancy Wanich..The Community Project 2010: Still Life, Choreography by Martha Reyner..Optics, Choreography by Sonia Synkowski (with collaborative input from the dancers)
    100319TheCollective4624.jpg
  • (photo by Matt Roth)..The Collective's annual concert is called "American Modernism." These photos were made during their dress rehearsal at the Baltimore Museum of Art Auditorium Friday, March 19, 2010...Inspirations for the performances are based around the works of Cezanne, commonly referred to as the father of American Modernism, whose work is on display at the Baltimore Museum of Art...The pieces are: .movement activity: CEZANNE, guest choreographed by Mikey Butane Thomas..The Umbrella's Bones, choreographed by Cait Moler..Cezanne's Reverie, choreographed by Jessica Fultz..Obviously, I'm Not a Golfer, choreographed by Lauren Withhart..Luminous Void, Choroegraphed by Emily Tankersly..Mozart and Mayheim, guest choreographed by Nancy Wanich..The Community Project 2010: Still Life, Choreography by Martha Reyner..Optics, Choreography by Sonia Synkowski (with collaborative input from the dancers)
    100319TheCollective4494.jpg
  • (photo by Matt Roth)..The Collective's annual concert is called "American Modernism." These photos were made during their dress rehearsal at the Baltimore Museum of Art Auditorium Friday, March 19, 2010...Inspirations for the performances are based around the works of Cezanne, commonly referred to as the father of American Modernism, whose work is on display at the Baltimore Museum of Art...The pieces are: .movement activity: CEZANNE, guest choreographed by Mikey Butane Thomas..The Umbrella's Bones, choreographed by Cait Moler..Cezanne's Reverie, choreographed by Jessica Fultz..Obviously, I'm Not a Golfer, choreographed by Lauren Withhart..Luminous Void, Choroegraphed by Emily Tankersly..Mozart and Mayheim, guest choreographed by Nancy Wanich..The Community Project 2010: Still Life, Choreography by Martha Reyner..Optics, Choreography by Sonia Synkowski (with collaborative input from the dancers)
    100319TheCollective3961.jpg
  • (photo by Matt Roth)..The Collective's annual concert is called "American Modernism." These photos were made during their dress rehearsal at the Baltimore Museum of Art Auditorium Friday, March 19, 2010...Inspirations for the performances are based around the works of Cezanne, commonly referred to as the father of American Modernism, whose work is on display at the Baltimore Museum of Art...The pieces are: .movement activity: CEZANNE, guest choreographed by Mikey Butane Thomas..The Umbrella's Bones, choreographed by Cait Moler..Cezanne's Reverie, choreographed by Jessica Fultz..Obviously, I'm Not a Golfer, choreographed by Lauren Withhart..Luminous Void, Choroegraphed by Emily Tankersly..Mozart and Mayheim, guest choreographed by Nancy Wanich..The Community Project 2010: Still Life, Choreography by Martha Reyner..Optics, Choreography by Sonia Synkowski (with collaborative input from the dancers)
    100319TheCollective3211.jpg
  • (photo by Matt Roth)..The Collective's annual concert is called "American Modernism." These photos were made during their dress rehearsal at the Baltimore Museum of Art Auditorium Friday, March 19, 2010...Inspirations for the performances are based around the works of Cezanne, commonly referred to as the father of American Modernism, whose work is on display at the Baltimore Museum of Art...The pieces are: .movement activity: CEZANNE, guest choreographed by Mikey Butane Thomas..The Umbrella's Bones, choreographed by Cait Moler..Cezanne's Reverie, choreographed by Jessica Fultz..Obviously, I'm Not a Golfer, choreographed by Lauren Withhart..Luminous Void, Choroegraphed by Emily Tankersly..Mozart and Mayheim, guest choreographed by Nancy Wanich..The Community Project 2010: Still Life, Choreography by Martha Reyner..Optics, Choreography by Sonia Synkowski (with collaborative input from the dancers)
    100319TheCollective1792.jpg
  • (photo by Matt Roth)..The Collective's annual concert is called "American Modernism." These photos were made during their dress rehearsal at the Baltimore Museum of Art Auditorium Friday, March 19, 2010...Inspirations for the performances are based around the works of Cezanne, commonly referred to as the father of American Modernism, whose work is on display at the Baltimore Museum of Art...The pieces are: .movement activity: CEZANNE, guest choreographed by Mikey Butane Thomas..The Umbrella's Bones, choreographed by Cait Moler..Cezanne's Reverie, choreographed by Jessica Fultz..Obviously, I'm Not a Golfer, choreographed by Lauren Withhart..Luminous Void, Choroegraphed by Emily Tankersly..Mozart and Mayheim, guest choreographed by Nancy Wanich..The Community Project 2010: Still Life, Choreography by Martha Reyner..Optics, Choreography by Sonia Synkowski (with collaborative input from the dancers)
    100319TheCollective1756.jpg
  • (photo by Matt Roth)..The Collective's annual concert is called "American Modernism." These photos were made during their dress rehearsal at the Baltimore Museum of Art Auditorium Friday, March 19, 2010...Inspirations for the performances are based around the works of Cezanne, commonly referred to as the father of American Modernism, whose work is on display at the Baltimore Museum of Art...The pieces are: .movement activity: CEZANNE, guest choreographed by Mikey Butane Thomas..The Umbrella's Bones, choreographed by Cait Moler..Cezanne's Reverie, choreographed by Jessica Fultz..Obviously, I'm Not a Golfer, choreographed by Lauren Withhart..Luminous Void, Choroegraphed by Emily Tankersly..Mozart and Mayheim, guest choreographed by Nancy Wanich..The Community Project 2010: Still Life, Choreography by Martha Reyner..Optics, Choreography by Sonia Synkowski (with collaborative input from the dancers)
    100319TheCollective1279.jpg
  • (photo by Matt Roth)..The Collective's annual concert is called "American Modernism." These photos were made during their dress rehearsal at the Baltimore Museum of Art Auditorium Friday, March 19, 2010...Inspirations for the performances are based around the works of Cezanne, commonly referred to as the father of American Modernism, whose work is on display at the Baltimore Museum of Art...The pieces are: .movement activity: CEZANNE, guest choreographed by Mikey Butane Thomas..The Umbrella's Bones, choreographed by Cait Moler..Cezanne's Reverie, choreographed by Jessica Fultz..Obviously, I'm Not a Golfer, choreographed by Lauren Withhart..Luminous Void, Choroegraphed by Emily Tankersly..Mozart and Mayheim, guest choreographed by Nancy Wanich..The Community Project 2010: Still Life, Choreography by Martha Reyner..Optics, Choreography by Sonia Synkowski (with collaborative input from the dancers)
    100319TheCollective0801.jpg
  • (photo by Matt Roth)..The Collective's annual concert is called "American Modernism." These photos were made during their dress rehearsal at the Baltimore Museum of Art Auditorium Friday, March 19, 2010...Inspirations for the performances are based around the works of Cezanne, commonly referred to as the father of American Modernism, whose work is on display at the Baltimore Museum of Art...The pieces are: .movement activity: CEZANNE, guest choreographed by Mikey Butane Thomas..The Umbrella's Bones, choreographed by Cait Moler..Cezanne's Reverie, choreographed by Jessica Fultz..Obviously, I'm Not a Golfer, choreographed by Lauren Withhart..Luminous Void, Choroegraphed by Emily Tankersly..Mozart and Mayheim, guest choreographed by Nancy Wanich..The Community Project 2010: Still Life, Choreography by Martha Reyner..Optics, Choreography by Sonia Synkowski (with collaborative input from the dancers)
    100319TheCollective0601.jpg
  • Photo by Matt Roth<br />
Assignment ID: 10139164A<br />
<br />
Linda Smith, photographed on Thursday, February 28, 2013, is a painter with an M.F.A. from Vermont College of Fine Arts, and works as a guard at the Baltimore Museum of Art.
    130228 Linda Smith BMA Guard 158.JPG
  • (photo by Matt Roth)..The Collective's annual concert is called "American Modernism." These photos were made during their dress rehearsal at the Baltimore Museum of Art Auditorium Friday, March 19, 2010...Inspirations for the performances are based around the works of Cezanne, commonly referred to as the father of American Modernism, whose work is on display at the Baltimore Museum of Art...The pieces are: .movement activity: CEZANNE, guest choreographed by Mikey Butane Thomas..The Umbrella's Bones, choreographed by Cait Moler..Cezanne's Reverie, choreographed by Jessica Fultz..Obviously, I'm Not a Golfer, choreographed by Lauren Withhart..Luminous Void, Choroegraphed by Emily Tankersly..Mozart and Mayheim, guest choreographed by Nancy Wanich..The Community Project 2010: Still Life, Choreography by Martha Reyner..Optics, Choreography by Sonia Synkowski (with collaborative input from the dancers)
    100319TheCollective4871.jpg
  • (photo by Matt Roth)..The Collective's annual concert is called "American Modernism." These photos were made during their dress rehearsal at the Baltimore Museum of Art Auditorium Friday, March 19, 2010...Inspirations for the performances are based around the works of Cezanne, commonly referred to as the father of American Modernism, whose work is on display at the Baltimore Museum of Art...The pieces are: .movement activity: CEZANNE, guest choreographed by Mikey Butane Thomas..The Umbrella's Bones, choreographed by Cait Moler..Cezanne's Reverie, choreographed by Jessica Fultz..Obviously, I'm Not a Golfer, choreographed by Lauren Withhart..Luminous Void, Choroegraphed by Emily Tankersly..Mozart and Mayheim, guest choreographed by Nancy Wanich..The Community Project 2010: Still Life, Choreography by Martha Reyner..Optics, Choreography by Sonia Synkowski (with collaborative input from the dancers)
    100319TheCollective4639.jpg
  • (photo by Matt Roth)..The Collective's annual concert is called "American Modernism." These photos were made during their dress rehearsal at the Baltimore Museum of Art Auditorium Friday, March 19, 2010...Inspirations for the performances are based around the works of Cezanne, commonly referred to as the father of American Modernism, whose work is on display at the Baltimore Museum of Art...The pieces are: .movement activity: CEZANNE, guest choreographed by Mikey Butane Thomas..The Umbrella's Bones, choreographed by Cait Moler..Cezanne's Reverie, choreographed by Jessica Fultz..Obviously, I'm Not a Golfer, choreographed by Lauren Withhart..Luminous Void, Choroegraphed by Emily Tankersly..Mozart and Mayheim, guest choreographed by Nancy Wanich..The Community Project 2010: Still Life, Choreography by Martha Reyner..Optics, Choreography by Sonia Synkowski (with collaborative input from the dancers)
    100319TheCollective4517.jpg
  • (photo by Matt Roth)..The Collective's annual concert is called "American Modernism." These photos were made during their dress rehearsal at the Baltimore Museum of Art Auditorium Friday, March 19, 2010...Inspirations for the performances are based around the works of Cezanne, commonly referred to as the father of American Modernism, whose work is on display at the Baltimore Museum of Art...The pieces are: .movement activity: CEZANNE, guest choreographed by Mikey Butane Thomas..The Umbrella's Bones, choreographed by Cait Moler..Cezanne's Reverie, choreographed by Jessica Fultz..Obviously, I'm Not a Golfer, choreographed by Lauren Withhart..Luminous Void, Choroegraphed by Emily Tankersly..Mozart and Mayheim, guest choreographed by Nancy Wanich..The Community Project 2010: Still Life, Choreography by Martha Reyner..Optics, Choreography by Sonia Synkowski (with collaborative input from the dancers)
    100319TheCollective4355.jpg
  • (photo by Matt Roth)..The Collective's annual concert is called "American Modernism." These photos were made during their dress rehearsal at the Baltimore Museum of Art Auditorium Friday, March 19, 2010...Inspirations for the performances are based around the works of Cezanne, commonly referred to as the father of American Modernism, whose work is on display at the Baltimore Museum of Art...The pieces are: .movement activity: CEZANNE, guest choreographed by Mikey Butane Thomas..The Umbrella's Bones, choreographed by Cait Moler..Cezanne's Reverie, choreographed by Jessica Fultz..Obviously, I'm Not a Golfer, choreographed by Lauren Withhart..Luminous Void, Choroegraphed by Emily Tankersly..Mozart and Mayheim, guest choreographed by Nancy Wanich..The Community Project 2010: Still Life, Choreography by Martha Reyner..Optics, Choreography by Sonia Synkowski (with collaborative input from the dancers)
    100319TheCollective4184.jpg
  • (photo by Matt Roth)..The Collective's annual concert is called "American Modernism." These photos were made during their dress rehearsal at the Baltimore Museum of Art Auditorium Friday, March 19, 2010...Inspirations for the performances are based around the works of Cezanne, commonly referred to as the father of American Modernism, whose work is on display at the Baltimore Museum of Art...The pieces are: .movement activity: CEZANNE, guest choreographed by Mikey Butane Thomas..The Umbrella's Bones, choreographed by Cait Moler..Cezanne's Reverie, choreographed by Jessica Fultz..Obviously, I'm Not a Golfer, choreographed by Lauren Withhart..Luminous Void, Choroegraphed by Emily Tankersly..Mozart and Mayheim, guest choreographed by Nancy Wanich..The Community Project 2010: Still Life, Choreography by Martha Reyner..Optics, Choreography by Sonia Synkowski (with collaborative input from the dancers)
    100319TheCollective4078.jpg
  • (photo by Matt Roth)..The Collective's annual concert is called "American Modernism." These photos were made during their dress rehearsal at the Baltimore Museum of Art Auditorium Friday, March 19, 2010...Inspirations for the performances are based around the works of Cezanne, commonly referred to as the father of American Modernism, whose work is on display at the Baltimore Museum of Art...The pieces are: .movement activity: CEZANNE, guest choreographed by Mikey Butane Thomas..The Umbrella's Bones, choreographed by Cait Moler..Cezanne's Reverie, choreographed by Jessica Fultz..Obviously, I'm Not a Golfer, choreographed by Lauren Withhart..Luminous Void, Choroegraphed by Emily Tankersly..Mozart and Mayheim, guest choreographed by Nancy Wanich..The Community Project 2010: Still Life, Choreography by Martha Reyner..Optics, Choreography by Sonia Synkowski (with collaborative input from the dancers)
    100319TheCollective3880.jpg
  • (photo by Matt Roth)..The Collective's annual concert is called "American Modernism." These photos were made during their dress rehearsal at the Baltimore Museum of Art Auditorium Friday, March 19, 2010...Inspirations for the performances are based around the works of Cezanne, commonly referred to as the father of American Modernism, whose work is on display at the Baltimore Museum of Art...The pieces are: .movement activity: CEZANNE, guest choreographed by Mikey Butane Thomas..The Umbrella's Bones, choreographed by Cait Moler..Cezanne's Reverie, choreographed by Jessica Fultz..Obviously, I'm Not a Golfer, choreographed by Lauren Withhart..Luminous Void, Choroegraphed by Emily Tankersly..Mozart and Mayheim, guest choreographed by Nancy Wanich..The Community Project 2010: Still Life, Choreography by Martha Reyner..Optics, Choreography by Sonia Synkowski (with collaborative input from the dancers)
    100319TheCollective3649.jpg
  • (photo by Matt Roth)..The Collective's annual concert is called "American Modernism." These photos were made during their dress rehearsal at the Baltimore Museum of Art Auditorium Friday, March 19, 2010...Inspirations for the performances are based around the works of Cezanne, commonly referred to as the father of American Modernism, whose work is on display at the Baltimore Museum of Art...The pieces are: .movement activity: CEZANNE, guest choreographed by Mikey Butane Thomas..The Umbrella's Bones, choreographed by Cait Moler..Cezanne's Reverie, choreographed by Jessica Fultz..Obviously, I'm Not a Golfer, choreographed by Lauren Withhart..Luminous Void, Choroegraphed by Emily Tankersly..Mozart and Mayheim, guest choreographed by Nancy Wanich..The Community Project 2010: Still Life, Choreography by Martha Reyner..Optics, Choreography by Sonia Synkowski (with collaborative input from the dancers)
    100319TheCollective3641.jpg
  • (photo by Matt Roth)..The Collective's annual concert is called "American Modernism." These photos were made during their dress rehearsal at the Baltimore Museum of Art Auditorium Friday, March 19, 2010...Inspirations for the performances are based around the works of Cezanne, commonly referred to as the father of American Modernism, whose work is on display at the Baltimore Museum of Art...The pieces are: .movement activity: CEZANNE, guest choreographed by Mikey Butane Thomas..The Umbrella's Bones, choreographed by Cait Moler..Cezanne's Reverie, choreographed by Jessica Fultz..Obviously, I'm Not a Golfer, choreographed by Lauren Withhart..Luminous Void, Choroegraphed by Emily Tankersly..Mozart and Mayheim, guest choreographed by Nancy Wanich..The Community Project 2010: Still Life, Choreography by Martha Reyner..Optics, Choreography by Sonia Synkowski (with collaborative input from the dancers)
    100319TheCollective3631.jpg
  • (photo by Matt Roth)..The Collective's annual concert is called "American Modernism." These photos were made during their dress rehearsal at the Baltimore Museum of Art Auditorium Friday, March 19, 2010...Inspirations for the performances are based around the works of Cezanne, commonly referred to as the father of American Modernism, whose work is on display at the Baltimore Museum of Art...The pieces are: .movement activity: CEZANNE, guest choreographed by Mikey Butane Thomas..The Umbrella's Bones, choreographed by Cait Moler..Cezanne's Reverie, choreographed by Jessica Fultz..Obviously, I'm Not a Golfer, choreographed by Lauren Withhart..Luminous Void, Choroegraphed by Emily Tankersly..Mozart and Mayheim, guest choreographed by Nancy Wanich..The Community Project 2010: Still Life, Choreography by Martha Reyner..Optics, Choreography by Sonia Synkowski (with collaborative input from the dancers)
    100319TheCollective3549.jpg
  • (photo by Matt Roth)..The Collective's annual concert is called "American Modernism." These photos were made during their dress rehearsal at the Baltimore Museum of Art Auditorium Friday, March 19, 2010...Inspirations for the performances are based around the works of Cezanne, commonly referred to as the father of American Modernism, whose work is on display at the Baltimore Museum of Art...The pieces are: .movement activity: CEZANNE, guest choreographed by Mikey Butane Thomas..The Umbrella's Bones, choreographed by Cait Moler..Cezanne's Reverie, choreographed by Jessica Fultz..Obviously, I'm Not a Golfer, choreographed by Lauren Withhart..Luminous Void, Choroegraphed by Emily Tankersly..Mozart and Mayheim, guest choreographed by Nancy Wanich..The Community Project 2010: Still Life, Choreography by Martha Reyner..Optics, Choreography by Sonia Synkowski (with collaborative input from the dancers)
    100319TheCollective3372.jpg
  • (photo by Matt Roth)..The Collective's annual concert is called "American Modernism." These photos were made during their dress rehearsal at the Baltimore Museum of Art Auditorium Friday, March 19, 2010...Inspirations for the performances are based around the works of Cezanne, commonly referred to as the father of American Modernism, whose work is on display at the Baltimore Museum of Art...The pieces are: .movement activity: CEZANNE, guest choreographed by Mikey Butane Thomas..The Umbrella's Bones, choreographed by Cait Moler..Cezanne's Reverie, choreographed by Jessica Fultz..Obviously, I'm Not a Golfer, choreographed by Lauren Withhart..Luminous Void, Choroegraphed by Emily Tankersly..Mozart and Mayheim, guest choreographed by Nancy Wanich..The Community Project 2010: Still Life, Choreography by Martha Reyner..Optics, Choreography by Sonia Synkowski (with collaborative input from the dancers)
    100319TheCollective3276.jpg
  • (photo by Matt Roth)..The Collective's annual concert is called "American Modernism." These photos were made during their dress rehearsal at the Baltimore Museum of Art Auditorium Friday, March 19, 2010...Inspirations for the performances are based around the works of Cezanne, commonly referred to as the father of American Modernism, whose work is on display at the Baltimore Museum of Art...The pieces are: .movement activity: CEZANNE, guest choreographed by Mikey Butane Thomas..The Umbrella's Bones, choreographed by Cait Moler..Cezanne's Reverie, choreographed by Jessica Fultz..Obviously, I'm Not a Golfer, choreographed by Lauren Withhart..Luminous Void, Choroegraphed by Emily Tankersly..Mozart and Mayheim, guest choreographed by Nancy Wanich..The Community Project 2010: Still Life, Choreography by Martha Reyner..Optics, Choreography by Sonia Synkowski (with collaborative input from the dancers)
    100319TheCollective3041.jpg
  • (photo by Matt Roth)..The Collective's annual concert is called "American Modernism." These photos were made during their dress rehearsal at the Baltimore Museum of Art Auditorium Friday, March 19, 2010...Inspirations for the performances are based around the works of Cezanne, commonly referred to as the father of American Modernism, whose work is on display at the Baltimore Museum of Art...The pieces are: .movement activity: CEZANNE, guest choreographed by Mikey Butane Thomas..The Umbrella's Bones, choreographed by Cait Moler..Cezanne's Reverie, choreographed by Jessica Fultz..Obviously, I'm Not a Golfer, choreographed by Lauren Withhart..Luminous Void, Choroegraphed by Emily Tankersly..Mozart and Mayheim, guest choreographed by Nancy Wanich..The Community Project 2010: Still Life, Choreography by Martha Reyner..Optics, Choreography by Sonia Synkowski (with collaborative input from the dancers)
    100319TheCollective2747.jpg
  • (photo by Matt Roth)..The Collective's annual concert is called "American Modernism." These photos were made during their dress rehearsal at the Baltimore Museum of Art Auditorium Friday, March 19, 2010...Inspirations for the performances are based around the works of Cezanne, commonly referred to as the father of American Modernism, whose work is on display at the Baltimore Museum of Art...The pieces are: .movement activity: CEZANNE, guest choreographed by Mikey Butane Thomas..The Umbrella's Bones, choreographed by Cait Moler..Cezanne's Reverie, choreographed by Jessica Fultz..Obviously, I'm Not a Golfer, choreographed by Lauren Withhart..Luminous Void, Choroegraphed by Emily Tankersly..Mozart and Mayheim, guest choreographed by Nancy Wanich..The Community Project 2010: Still Life, Choreography by Martha Reyner..Optics, Choreography by Sonia Synkowski (with collaborative input from the dancers)
    100319TheCollective2675.jpg
  • (photo by Matt Roth)..The Collective's annual concert is called "American Modernism." These photos were made during their dress rehearsal at the Baltimore Museum of Art Auditorium Friday, March 19, 2010...Inspirations for the performances are based around the works of Cezanne, commonly referred to as the father of American Modernism, whose work is on display at the Baltimore Museum of Art...The pieces are: .movement activity: CEZANNE, guest choreographed by Mikey Butane Thomas..The Umbrella's Bones, choreographed by Cait Moler..Cezanne's Reverie, choreographed by Jessica Fultz..Obviously, I'm Not a Golfer, choreographed by Lauren Withhart..Luminous Void, Choroegraphed by Emily Tankersly..Mozart and Mayheim, guest choreographed by Nancy Wanich..The Community Project 2010: Still Life, Choreography by Martha Reyner..Optics, Choreography by Sonia Synkowski (with collaborative input from the dancers)
    100319TheCollective2665.jpg
  • (photo by Matt Roth)..The Collective's annual concert is called "American Modernism." These photos were made during their dress rehearsal at the Baltimore Museum of Art Auditorium Friday, March 19, 2010...Inspirations for the performances are based around the works of Cezanne, commonly referred to as the father of American Modernism, whose work is on display at the Baltimore Museum of Art...The pieces are: .movement activity: CEZANNE, guest choreographed by Mikey Butane Thomas..The Umbrella's Bones, choreographed by Cait Moler..Cezanne's Reverie, choreographed by Jessica Fultz..Obviously, I'm Not a Golfer, choreographed by Lauren Withhart..Luminous Void, Choroegraphed by Emily Tankersly..Mozart and Mayheim, guest choreographed by Nancy Wanich..The Community Project 2010: Still Life, Choreography by Martha Reyner..Optics, Choreography by Sonia Synkowski (with collaborative input from the dancers)
    100319TheCollective2537.jpg
  • (photo by Matt Roth)..The Collective's annual concert is called "American Modernism." These photos were made during their dress rehearsal at the Baltimore Museum of Art Auditorium Friday, March 19, 2010...Inspirations for the performances are based around the works of Cezanne, commonly referred to as the father of American Modernism, whose work is on display at the Baltimore Museum of Art...The pieces are: .movement activity: CEZANNE, guest choreographed by Mikey Butane Thomas..The Umbrella's Bones, choreographed by Cait Moler..Cezanne's Reverie, choreographed by Jessica Fultz..Obviously, I'm Not a Golfer, choreographed by Lauren Withhart..Luminous Void, Choroegraphed by Emily Tankersly..Mozart and Mayheim, guest choreographed by Nancy Wanich..The Community Project 2010: Still Life, Choreography by Martha Reyner..Optics, Choreography by Sonia Synkowski (with collaborative input from the dancers)
    100319TheCollective2312.jpg
  • (photo by Matt Roth)..The Collective's annual concert is called "American Modernism." These photos were made during their dress rehearsal at the Baltimore Museum of Art Auditorium Friday, March 19, 2010...Inspirations for the performances are based around the works of Cezanne, commonly referred to as the father of American Modernism, whose work is on display at the Baltimore Museum of Art...The pieces are: .movement activity: CEZANNE, guest choreographed by Mikey Butane Thomas..The Umbrella's Bones, choreographed by Cait Moler..Cezanne's Reverie, choreographed by Jessica Fultz..Obviously, I'm Not a Golfer, choreographed by Lauren Withhart..Luminous Void, Choroegraphed by Emily Tankersly..Mozart and Mayheim, guest choreographed by Nancy Wanich..The Community Project 2010: Still Life, Choreography by Martha Reyner..Optics, Choreography by Sonia Synkowski (with collaborative input from the dancers)
    100319TheCollective1787.jpg
  • (photo by Matt Roth)..The Collective's annual concert is called "American Modernism." These photos were made during their dress rehearsal at the Baltimore Museum of Art Auditorium Friday, March 19, 2010...Inspirations for the performances are based around the works of Cezanne, commonly referred to as the father of American Modernism, whose work is on display at the Baltimore Museum of Art...The pieces are: .movement activity: CEZANNE, guest choreographed by Mikey Butane Thomas..The Umbrella's Bones, choreographed by Cait Moler..Cezanne's Reverie, choreographed by Jessica Fultz..Obviously, I'm Not a Golfer, choreographed by Lauren Withhart..Luminous Void, Choroegraphed by Emily Tankersly..Mozart and Mayheim, guest choreographed by Nancy Wanich..The Community Project 2010: Still Life, Choreography by Martha Reyner..Optics, Choreography by Sonia Synkowski (with collaborative input from the dancers)
    100319TheCollective1643.jpg
  • (photo by Matt Roth)..The Collective's annual concert is called "American Modernism." These photos were made during their dress rehearsal at the Baltimore Museum of Art Auditorium Friday, March 19, 2010...Inspirations for the performances are based around the works of Cezanne, commonly referred to as the father of American Modernism, whose work is on display at the Baltimore Museum of Art...The pieces are: .movement activity: CEZANNE, guest choreographed by Mikey Butane Thomas..The Umbrella's Bones, choreographed by Cait Moler..Cezanne's Reverie, choreographed by Jessica Fultz..Obviously, I'm Not a Golfer, choreographed by Lauren Withhart..Luminous Void, Choroegraphed by Emily Tankersly..Mozart and Mayheim, guest choreographed by Nancy Wanich..The Community Project 2010: Still Life, Choreography by Martha Reyner..Optics, Choreography by Sonia Synkowski (with collaborative input from the dancers)
    100319TheCollective1517.jpg
  • (photo by Matt Roth)..The Collective's annual concert is called "American Modernism." These photos were made during their dress rehearsal at the Baltimore Museum of Art Auditorium Friday, March 19, 2010...Inspirations for the performances are based around the works of Cezanne, commonly referred to as the father of American Modernism, whose work is on display at the Baltimore Museum of Art...The pieces are: .movement activity: CEZANNE, guest choreographed by Mikey Butane Thomas..The Umbrella's Bones, choreographed by Cait Moler..Cezanne's Reverie, choreographed by Jessica Fultz..Obviously, I'm Not a Golfer, choreographed by Lauren Withhart..Luminous Void, Choroegraphed by Emily Tankersly..Mozart and Mayheim, guest choreographed by Nancy Wanich..The Community Project 2010: Still Life, Choreography by Martha Reyner..Optics, Choreography by Sonia Synkowski (with collaborative input from the dancers)
    100319TheCollective0909.jpg
  • (photo by Matt Roth)..The Collective's annual concert is called "American Modernism." These photos were made during their dress rehearsal at the Baltimore Museum of Art Auditorium Friday, March 19, 2010...Inspirations for the performances are based around the works of Cezanne, commonly referred to as the father of American Modernism, whose work is on display at the Baltimore Museum of Art...The pieces are: .movement activity: CEZANNE, guest choreographed by Mikey Butane Thomas..The Umbrella's Bones, choreographed by Cait Moler..Cezanne's Reverie, choreographed by Jessica Fultz..Obviously, I'm Not a Golfer, choreographed by Lauren Withhart..Luminous Void, Choroegraphed by Emily Tankersly..Mozart and Mayheim, guest choreographed by Nancy Wanich..The Community Project 2010: Still Life, Choreography by Martha Reyner..Optics, Choreography by Sonia Synkowski (with collaborative input from the dancers)
    100319TheCollective0904.jpg
  • (photo by Matt Roth)..The Collective's annual concert is called "American Modernism." These photos were made during their dress rehearsal at the Baltimore Museum of Art Auditorium Friday, March 19, 2010...Inspirations for the performances are based around the works of Cezanne, commonly referred to as the father of American Modernism, whose work is on display at the Baltimore Museum of Art...The pieces are: .movement activity: CEZANNE, guest choreographed by Mikey Butane Thomas..The Umbrella's Bones, choreographed by Cait Moler..Cezanne's Reverie, choreographed by Jessica Fultz..Obviously, I'm Not a Golfer, choreographed by Lauren Withhart..Luminous Void, Choroegraphed by Emily Tankersly..Mozart and Mayheim, guest choreographed by Nancy Wanich..The Community Project 2010: Still Life, Choreography by Martha Reyner..Optics, Choreography by Sonia Synkowski (with collaborative input from the dancers)
    100319TheCollective0591.jpg
  • (photo by Matt Roth)..The Collective's annual concert is called "American Modernism." These photos were made during their dress rehearsal at the Baltimore Museum of Art Auditorium Friday, March 19, 2010...Inspirations for the performances are based around the works of Cezanne, commonly referred to as the father of American Modernism, whose work is on display at the Baltimore Museum of Art...The pieces are: .movement activity: CEZANNE, guest choreographed by Mikey Butane Thomas..The Umbrella's Bones, choreographed by Cait Moler..Cezanne's Reverie, choreographed by Jessica Fultz..Obviously, I'm Not a Golfer, choreographed by Lauren Withhart..Luminous Void, Choroegraphed by Emily Tankersly..Mozart and Mayheim, guest choreographed by Nancy Wanich..The Community Project 2010: Still Life, Choreography by Martha Reyner..Optics, Choreography by Sonia Synkowski (with collaborative input from the dancers)
    100319TheCollective0552.jpg
  • (photo by Matt Roth)..The Collective's annual concert is called "American Modernism." These photos were made during their dress rehearsal at the Baltimore Museum of Art Auditorium Friday, March 19, 2010...Inspirations for the performances are based around the works of Cezanne, commonly referred to as the father of American Modernism, whose work is on display at the Baltimore Museum of Art...The pieces are: .movement activity: CEZANNE, guest choreographed by Mikey Butane Thomas..The Umbrella's Bones, choreographed by Cait Moler..Cezanne's Reverie, choreographed by Jessica Fultz..Obviously, I'm Not a Golfer, choreographed by Lauren Withhart..Luminous Void, Choroegraphed by Emily Tankersly..Mozart and Mayheim, guest choreographed by Nancy Wanich..The Community Project 2010: Still Life, Choreography by Martha Reyner..Optics, Choreography by Sonia Synkowski (with collaborative input from the dancers)
    100319TheCollective0082.jpg
  • (photo by Matt Roth)..The Collective's annual concert is called "American Modernism." These photos were made during their dress rehearsal at the Baltimore Museum of Art Auditorium Friday, March 19, 2010...Inspirations for the performances are based around the works of Cezanne, commonly referred to as the father of American Modernism, whose work is on display at the Baltimore Museum of Art...The pieces are: .movement activity: CEZANNE, guest choreographed by Mikey Butane Thomas..The Umbrella's Bones, choreographed by Cait Moler..Cezanne's Reverie, choreographed by Jessica Fultz..Obviously, I'm Not a Golfer, choreographed by Lauren Withhart..Luminous Void, Choroegraphed by Emily Tankersly..Mozart and Mayheim, guest choreographed by Nancy Wanich..The Community Project 2010: Still Life, Choreography by Martha Reyner..Optics, Choreography by Sonia Synkowski (with collaborative input from the dancers)
    100319TheCollective4783.jpg
  • (photo by Matt Roth)..The Collective's annual concert is called "American Modernism." These photos were made during their dress rehearsal at the Baltimore Museum of Art Auditorium Friday, March 19, 2010...Inspirations for the performances are based around the works of Cezanne, commonly referred to as the father of American Modernism, whose work is on display at the Baltimore Museum of Art...The pieces are: .movement activity: CEZANNE, guest choreographed by Mikey Butane Thomas..The Umbrella's Bones, choreographed by Cait Moler..Cezanne's Reverie, choreographed by Jessica Fultz..Obviously, I'm Not a Golfer, choreographed by Lauren Withhart..Luminous Void, Choroegraphed by Emily Tankersly..Mozart and Mayheim, guest choreographed by Nancy Wanich..The Community Project 2010: Still Life, Choreography by Martha Reyner..Optics, Choreography by Sonia Synkowski (with collaborative input from the dancers)
    100319TheCollective4486.jpg
  • (photo by Matt Roth)..The Collective's annual concert is called "American Modernism." These photos were made during their dress rehearsal at the Baltimore Museum of Art Auditorium Friday, March 19, 2010...Inspirations for the performances are based around the works of Cezanne, commonly referred to as the father of American Modernism, whose work is on display at the Baltimore Museum of Art...The pieces are: .movement activity: CEZANNE, guest choreographed by Mikey Butane Thomas..The Umbrella's Bones, choreographed by Cait Moler..Cezanne's Reverie, choreographed by Jessica Fultz..Obviously, I'm Not a Golfer, choreographed by Lauren Withhart..Luminous Void, Choroegraphed by Emily Tankersly..Mozart and Mayheim, guest choreographed by Nancy Wanich..The Community Project 2010: Still Life, Choreography by Martha Reyner..Optics, Choreography by Sonia Synkowski (with collaborative input from the dancers)
    100319TheCollective4114.jpg
  • (photo by Matt Roth)..The Collective's annual concert is called "American Modernism." These photos were made during their dress rehearsal at the Baltimore Museum of Art Auditorium Friday, March 19, 2010...Inspirations for the performances are based around the works of Cezanne, commonly referred to as the father of American Modernism, whose work is on display at the Baltimore Museum of Art...The pieces are: .movement activity: CEZANNE, guest choreographed by Mikey Butane Thomas..The Umbrella's Bones, choreographed by Cait Moler..Cezanne's Reverie, choreographed by Jessica Fultz..Obviously, I'm Not a Golfer, choreographed by Lauren Withhart..Luminous Void, Choroegraphed by Emily Tankersly..Mozart and Mayheim, guest choreographed by Nancy Wanich..The Community Project 2010: Still Life, Choreography by Martha Reyner..Optics, Choreography by Sonia Synkowski (with collaborative input from the dancers)
    100319TheCollective3671.jpg
  • (photo by Matt Roth)..The Collective's annual concert is called "American Modernism." These photos were made during their dress rehearsal at the Baltimore Museum of Art Auditorium Friday, March 19, 2010...Inspirations for the performances are based around the works of Cezanne, commonly referred to as the father of American Modernism, whose work is on display at the Baltimore Museum of Art...The pieces are: .movement activity: CEZANNE, guest choreographed by Mikey Butane Thomas..The Umbrella's Bones, choreographed by Cait Moler..Cezanne's Reverie, choreographed by Jessica Fultz..Obviously, I'm Not a Golfer, choreographed by Lauren Withhart..Luminous Void, Choroegraphed by Emily Tankersly..Mozart and Mayheim, guest choreographed by Nancy Wanich..The Community Project 2010: Still Life, Choreography by Martha Reyner..Optics, Choreography by Sonia Synkowski (with collaborative input from the dancers)
    100319TheCollective3633.jpg
  • (photo by Matt Roth)..The Collective's annual concert is called "American Modernism." These photos were made during their dress rehearsal at the Baltimore Museum of Art Auditorium Friday, March 19, 2010...Inspirations for the performances are based around the works of Cezanne, commonly referred to as the father of American Modernism, whose work is on display at the Baltimore Museum of Art...The pieces are: .movement activity: CEZANNE, guest choreographed by Mikey Butane Thomas..The Umbrella's Bones, choreographed by Cait Moler..Cezanne's Reverie, choreographed by Jessica Fultz..Obviously, I'm Not a Golfer, choreographed by Lauren Withhart..Luminous Void, Choroegraphed by Emily Tankersly..Mozart and Mayheim, guest choreographed by Nancy Wanich..The Community Project 2010: Still Life, Choreography by Martha Reyner..Optics, Choreography by Sonia Synkowski (with collaborative input from the dancers)
    100319TheCollective3421.jpg
  • (photo by Matt Roth)..The Collective's annual concert is called "American Modernism." These photos were made during their dress rehearsal at the Baltimore Museum of Art Auditorium Friday, March 19, 2010...Inspirations for the performances are based around the works of Cezanne, commonly referred to as the father of American Modernism, whose work is on display at the Baltimore Museum of Art...The pieces are: .movement activity: CEZANNE, guest choreographed by Mikey Butane Thomas..The Umbrella's Bones, choreographed by Cait Moler..Cezanne's Reverie, choreographed by Jessica Fultz..Obviously, I'm Not a Golfer, choreographed by Lauren Withhart..Luminous Void, Choroegraphed by Emily Tankersly..Mozart and Mayheim, guest choreographed by Nancy Wanich..The Community Project 2010: Still Life, Choreography by Martha Reyner..Optics, Choreography by Sonia Synkowski (with collaborative input from the dancers)
    100319TheCollective2590.jpg
  • (photo by Matt Roth)..The Collective's annual concert is called "American Modernism." These photos were made during their dress rehearsal at the Baltimore Museum of Art Auditorium Friday, March 19, 2010...Inspirations for the performances are based around the works of Cezanne, commonly referred to as the father of American Modernism, whose work is on display at the Baltimore Museum of Art...The pieces are: .movement activity: CEZANNE, guest choreographed by Mikey Butane Thomas..The Umbrella's Bones, choreographed by Cait Moler..Cezanne's Reverie, choreographed by Jessica Fultz..Obviously, I'm Not a Golfer, choreographed by Lauren Withhart..Luminous Void, Choroegraphed by Emily Tankersly..Mozart and Mayheim, guest choreographed by Nancy Wanich..The Community Project 2010: Still Life, Choreography by Martha Reyner..Optics, Choreography by Sonia Synkowski (with collaborative input from the dancers)
    100319TheCollective2489.jpg
  • (photo by Matt Roth)..The Collective's annual concert is called "American Modernism." These photos were made during their dress rehearsal at the Baltimore Museum of Art Auditorium Friday, March 19, 2010...Inspirations for the performances are based around the works of Cezanne, commonly referred to as the father of American Modernism, whose work is on display at the Baltimore Museum of Art...The pieces are: .movement activity: CEZANNE, guest choreographed by Mikey Butane Thomas..The Umbrella's Bones, choreographed by Cait Moler..Cezanne's Reverie, choreographed by Jessica Fultz..Obviously, I'm Not a Golfer, choreographed by Lauren Withhart..Luminous Void, Choroegraphed by Emily Tankersly..Mozart and Mayheim, guest choreographed by Nancy Wanich..The Community Project 2010: Still Life, Choreography by Martha Reyner..Optics, Choreography by Sonia Synkowski (with collaborative input from the dancers)
    100319TheCollective2392.jpg
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