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  • Cabin John, Maryland - June 11, 2014: A deflated balloon dances over an active air conditioning vent in Alex Hawkinson's home in Cabin John, Maryland June 11, 2014. Hawkinson, founder and CEO of SmartThings, uses a "smart" thermostat made by CentraLite which connects to the SmartThings hub and the SmartThings iPhone interface to control the temperature. He can set how he wants the temperature in his home to be at night, during the day when nobody is home and when he is home. <br />
<br />
Hawkinson owns, what might be, the smartest home in America. Normal functions of a modern home like climate control, locked doors, security, and lighting, are all controlled by a smartphone interface and a central SmartThings hub. The suburban Cabin John, Maryland home, originally built in 2005, has been retrofitted with over 150 connected devices.<br />
<br />
<br />
CREDIT: Matt Roth for The Wall Street Journal
    140611_Smartest_Home_In_America_089.JPG
  • Cabin John, Maryland - June 11, 2014: A deflated balloon dances over an active air conditioning vent in Alex Hawkinson's home in Cabin John, Maryland June 11, 2014. Hawkinson, founder and CEO of SmartThings, uses a "smart" thermostat made by CentraLite which connects to the SmartThings hub and the SmartThings iPhone interface to control the temperature. He can set how he wants the temperature in his home to be at night, during the day when nobody is home and when he is home. <br />
<br />
Hawkinson owns, what might be, the smartest home in America. Normal functions of a modern home like climate control, locked doors, security, and lighting, are all controlled by a smartphone interface and a central SmartThings hub. The suburban Cabin John, Maryland home, originally built in 2005, has been retrofitted with over 150 connected devices.<br />
<br />
<br />
CREDIT: Matt Roth for The Wall Street Journal
    140611_Smartest_Home_In_America_088.JPG
  • Cabin John, Maryland - June 11, 2014: Alex Hawkinson, founder and CEO of SmartThings, uses a "smart" thermostat made by CentraLite which connects to the SmartThings hub and the SmartThings iPhone interface to control the temperature. He can set how he wants the temperature in his home to be at night, during the day when nobody is home and when he is home. <br />
<br />
Hawkinson owns, what might be, the smartest home in America. Normal functions of a modern home like climate control, locked doors, security, and lighting, are all controlled by a smartphone interface and a central SmartThings hub. The suburban Cabin John, Maryland home, originally built in 2005, has been retrofitted with over 150 connected devices.<br />
<br />
<br />
CREDIT: Matt Roth for The Wall Street Journal
    140611_Smartest_Home_In_America_090.JPG
  • Cabin John, Maryland - June 11, 2014: The veranda fan in Alex Hawkinson's home is dialed in to his home's SmartThings system. <br />
<br />
Hawkins, founder and CEO of SmartThings, owns, what might be, the smartest home in America. The suburban Cabin John Maryland home, originally built in 2005, has been retrofitted with over 150 connected devices controlled by a hub and smartphone. <br />
<br />
CREDIT: Matt Roth for The Wall Street Journal
    140611_Smartest_Home_In_America_135.JPG
  • Cabin John, Maryland - June 11, 2014: A moisture sensor sits between two hot water heaters in Alex Hawkinson's basement. The sensor, which costs less than $50, would have saved more than $100,000 in hidden water damage repairs in his family's Denver home. Hawkinson, frustrated that his house couldn't alert him of the water damage happening between the walls, sparked the idea behind creating a connected home. Now, Hawkins, founder and CEO of SmartThings, owns, what might be, the smartest home in America. The suburban Cabin John, Maryland home, originally built in 2005, has been retrofitted with over 150 connected devices controlled by a hub and smartphone. <br />
<br />
CREDIT: Matt Roth for The Wall Street Journal
    140611_Smartest_Home_In_America_102.JPG
  • Cabin John, Maryland - June 11, 2014: A moisture sensor sits between two hot water heaters in Alex Hawkinson's basement. The sensor, which costs less than $50, would have saved more than $100,000 in hidden water damage repairs in his family's Denver home. Hawkinson, frustrated that his house couldn't alert him of the water damage happening between the walls, sparked the idea behind creating a connected home. Now, Hawkins, founder and CEO of SmartThings, owns, what might be, the smartest home in America. The suburban Cabin John, Maryland home, originally built in 2005, has been retrofitted with over 150 connected devices controlled by a hub and smartphone. <br />
<br />
CREDIT: Matt Roth for The Wall Street Journal
    140611_Smartest_Home_In_America_096.JPG
  • Cabin John, Maryland - June 11, 2014: When Alex Hawkinson, founder and CEO of SmartThings, receives  mail, the SmartSense Multi, stuck to the top of the mailbox, sends an alert to his home's SmartThings hub, and triggers a Philips Bloom Light to change color. This is one of the alerts Hawkinson has programmed into the light. The light also changes colors when he gets a new twitter follower, and it turns purple when his beloved Minnesota Vikings score. <br />
<br />
Hawkinson, founder and CEO of SmartThings, owns, what might be, the smartest home in America. The suburban Cabin John Maryland home, originally built in 2005, has been retrofitted with over 150 connected devices controlled by a hub and smartphone. <br />
<br />
CREDIT: Matt Roth for The Wall Street Journal
    140611_Smartest_Home_In_America_145.JPG
  • Cabin John, Maryland - June 11, 2014: When Alex Hawkinson, founder and CEO of SmartThings, receives  mail, the SmartSense Multi, stuck to the top of the mailbox, sends an alert to his home's SmartThings hub, and triggers a Philips Bloom Light to change color. This is one of the alerts Hawkinson has programmed into the light. The light also changes colors when he gets a new twitter follower, and it turns purple when his beloved Minnesota Vikings score. <br />
<br />
Hawkinson, founder and CEO of SmartThings, owns, what might be, the smartest home in America. The suburban Cabin John Maryland home, originally built in 2005, has been retrofitted with over 150 connected devices controlled by a hub and smartphone. <br />
<br />
CREDIT: Matt Roth for The Wall Street Journal
    140611_Smartest_Home_In_America_140.JPG
  • Cabin John, Maryland - June 11, 2014: To demonstrate his smart home's take on security Alex Hawkinson, founder and CEO of SmartThings, moves his valuable framed 1700's map of the United States. When moved, the frame, which is hooked up to a sensor, triggers an alarm in the house. He has a similar set up for his liquor cabinet. If he opens the cabinet during the day, instead of an alarm sounding, an mp3 is played, "I guess it's 5 o'clock somewhere."<br />
<br />
Hawkinson owns, what might be, the smartest home in America. The suburban Cabin John Maryland home, originally built in 2005, has been retrofitted with over 150 connected devices controlled by a hub and smartphone. <br />
<br />
CREDIT: Matt Roth for The Wall Street Journal
    140611_Smartest_Home_In_America_127.JPG
  • Cabin John, Maryland - June 11, 2014: Examples of some of the connected devices Alex Hawkinson, founder and CEO of SmartThings, uses in his home. Hawkinson owns, what might be, the smartest home in America. The suburban Cabin John, Maryland home, originally built in 2005, has been retrofitted with over 150 connected devices controlled by a hub and smartphone. <br />
<br />
CREDIT: Matt Roth for The Wall Street Journal
    140611_Smartest_Home_In_America_079.JPG
  • Cabin John, Maryland - June 11, 2014: Alex Hawkinson, founder and CEO of SmartThings, owns, what might be, the smartest home in America. Normal functions of a modern home like climate control, locked doors, security, and lighting, are all controlled by a smartphone interface and a central SmartThings hub. The suburban Cabin John, Maryland home, originally built in 2005, has been retrofitted with over 150 connected devices.<br />
<br />
<br />
CREDIT: Matt Roth for The Wall Street Journal
    140611_Smartest_Home_In_America_070.JPG
  • Cabin John, Maryland - June 11, 2014: Alex Hawkinson's son taped one of his drawings depicting "The Future," to the wall. Hawkinson, founder and CEO of SmartThings, owns, what might be, the smartest home in America and what may very well be the future of homes. The suburban Cabin John Maryland home, originally built in 2005, has been retrofitted with over 150 connected devices controlled by a hub and smartphone. <br />
<br />
CREDIT: Matt Roth for The Wall Street Journal
    140611_Smartest_Home_In_America_124.JPG
  • Cabin John, Maryland - June 11, 2014: When Alex Hawkinson, founder and CEO of SmartThings, receives a new twitter follower, snail mail, or if his beloved Minnesota Vikings score, the Philips Bloom Light, positioned behind the decorative tree, changes colors (purple when the Vikings score). <br />
<br />
Hawkinson, founder and CEO of SmartThings, owns, what might be, the smartest home in America. The suburban Cabin John Maryland home, originally built in 2005, has been retrofitted with over 150 connected devices controlled by a hub and smartphone. <br />
<br />
CREDIT: Matt Roth for The Wall Street Journal
    140611_Smartest_Home_In_America_081.JPG
  • Cabin John, Maryland - June 11, 2014: The SmartThings hub is the brain that connects all of Alex Hawkinson's smart devices in his home. The founder and CEO of SmartThings, owns, what might be, the smartest home in America. The suburban Cabin John Maryland home, originally built in 2005, has been retrofitted with over 150 connected devices controlled by a hub and smartphone. <br />
<br />
CREDIT: Matt Roth for The Wall Street Journal
    140611_Smartest_Home_In_America_077.JPG
  • Cabin John, Maryland - June 11, 2014: When Alex Hawkinson, founder and CEO of SmartThings, wakes up, the Jawbone UP 24 wearable around his wrist sends an alert to the hub that controls his house, and a set of actions unfolds. One of which sends a signal to the "smart" electrical socket plugged into a normal "dumb" coffee pot to start making coffee. When Hawkinson grabs a coffee cup from his shelf, a motion sensor triggers the house to tell him the weather for the day. <br />
<br />
Hawkinson, founder and CEO of SmartThings, owns, what might be, the smartest home in America. The suburban Cabin John Maryland home, originally built in 2005, has been retrofitted with over 150 connected devices controlled by a hub and smartphone. <br />
<br />
CREDIT: Matt Roth for The Wall Street Journal
    140611_Smartest_Home_In_America_137.JPG
  • Cabin John, Maryland - June 11, 2014: Alex Hawkinson, founder and CEO of SmartThings, owns, what might be, the smartest home in America. While it doesn't look futuristic, the suburban Cabin John, Maryland home, originally built in 2005, has been retrofitted with over 150 connected devices controlled by a hub and smartphone. <br />
<br />
CREDIT: Matt Roth for The Wall Street Journal
    140611_Smartest_Home_In_America_125.JPG
  • Cabin John, Maryland - June 11, 2014: Alex Hawkinson, founder and CEO of SmartThings, owns, what might be, the smartest home in America. He stands on a stage built in his basement. While the basement stage is pretty cool, it's the lighting that's smart. Hawkinson can control his basement's ambiance with his iPhone, but, he says, "whenever my daughter jumps on stage the lights come on," with the help of a tiny motion sensor in the corner. The suburban Cabin John Maryland home, originally built in 2005, has been retrofitted with over 150 connected devices controlled by a hub and smartphone. <br />
<br />
CREDIT: Matt Roth for The Wall Street Journal
    140611_Smartest_Home_In_America_119.JPG
  • Cabin John, Maryland - June 11, 2014: Connected switches in Alex Hawkinson's kitchen nook. The founder and CEO of SmartThings, owns, what might be, the smartest home in America. The suburban Cabin John Maryland home, originally built in 2005, has been retrofitted with over 150 connected devices controlled by a hub and smartphone. <br />
<br />
CREDIT: Matt Roth for The Wall Street Journal
    140611_Smartest_Home_In_America_064.JPG
  • Cabin John, Maryland - June 11, 2014: Alex Hawkinson's son left a drawing underneath a connected light switch which controls the smart lightbulbs in his family's kitchen. One of the complaints users of the smart lightbulbs like Philips Hue Bulbs is that you need a smartphone to turn them on and off. <br />
<br />
Hawkinson, founder and CEO of SmartThings, owns, what might be, the smartest home in America. The suburban Cabin John Maryland home, originally built in 2005, has been retrofitted with over 150 connected devices controlled by a hub and smartphone. <br />
<br />
CREDIT: Matt Roth for The Wall Street Journal
    140611_Smartest_Home_In_America_063.JPG
  • Cabin John, Maryland - June 11, 2014: Alex Hawkinson, founder and CEO of SmartThings, owns, what might be, the smartest home in America. The suburban Cabin John Maryland home, originally built in 2005, has been retrofitted with over 150 connected devices controlled by a hub and smartphone. <br />
<br />
CREDIT: Matt Roth for The Wall Street Journal
    140611_Smartest_Home_In_America_059.JPG
  • Cabin John, Maryland - June 11, 2014: Alex Hawkinson, founder and CEO of SmartThings, owns, what might be, the smartest home in America. The suburban Cabin John Maryland home, originally built in 2005, has been retrofitted with over 150 connected devices controlled by a hub and smartphone. <br />
<br />
CREDIT: Matt Roth for The Wall Street Journal
    140611_Smartest_Home_In_America_056.JPG
  • Cabin John, Maryland - June 11, 2014: Alex Hawkinson, founder and CEO of SmartThings, owns, what might be, the smartest home in America. The suburban Cabin John Maryland home, originally built in 2005, has been retrofitted with over 150 connected devices controlled by a hub and smartphone. <br />
<br />
CREDIT: Matt Roth for The Wall Street Journal
    140611_Smartest_Home_In_America_051.JPG
  • Cabin John, Maryland - June 11, 2014: Alex Hawkinson, founder and CEO of SmartThings, owns, what might be, the smartest home in America. The suburban Cabin John Maryland home, originally built in 2005, has been retrofitted with over 150 connected devices controlled by a hub and smartphone. <br />
<br />
CREDIT: Matt Roth for The Wall Street Journal
    140611_Smartest_Home_In_America_045.JPG
  • Cabin John, Maryland - June 11, 2014: The SmartThings iOS shortcuts page for the garage is displayed on Alex Hawkinson's iPhone. Hawkinson, founder and CEO of SmartThings, owns, what might be, the smartest home in America. The suburban Cabin John Maryland home, originally built in 2005, has been retrofitted with over 150 connected devices controlled by a hub and smartphone. <br />
<br />
CREDIT: Matt Roth for The Wall Street Journal
    140611_Smartest_Home_In_America_033.JPG
  • Cabin John, Maryland - June 11, 2014: When Alex Hawkinson, founder and CEO of SmartThings, receives a new twitter follower, snail mail, or if his beloved Minnesota Vikings score, the Philips Bloom Light, positioned behind the three, changes colors (purple when the Vikings score). <br />
<br />
Hawkinson, founder and CEO of SmartThings, owns, what might be, the smartest home in America. The suburban Cabin John Maryland home, originally built in 2005, has been retrofitted with over 150 connected devices controlled by a hub and smartphone. <br />
<br />
CREDIT: Matt Roth for The Wall Street Journal
    140611_Smartest_Home_In_America_018.JPG
  • Cabin John, Maryland - June 11, 2014: When Alex Hawkinson wakes up, his Jawbone Up 24 wearable communicates with the SmartThings hub controlling his house, and starts a series of commands, such as turning on the lights in the kitchen and it starts brewing coffee. The SmartThings utilizes an open platform so developers from third parties, like Jawbone and the connected lightbulbs in his kitchen, made by Philips, can integrate their technology.<br />
<br />
Hawkinson, founder and CEO of SmartThings, owns, what might be, the smartest home in America. The suburban Cabin John Maryland home, originally built in 2005, has been retrofitted with over 150 connected devices controlled by a hub and smartphone. <br />
<br />
CREDIT: Matt Roth for The Wall Street Journal
    140611_Smartest_Home_In_America_012.JPG
  • Cabin John, Maryland - June 11, 2014: Alex Hawkinson's is alerted that his front door is open on his iPhone through the use of a SmartSense multi, a two-part sensor he tacked to his door and door frame. When the two are separated, The SmartThings hub sends a signal to Hawkinson's phone. <br />
<br />
Hawkinson, founder and CEO of SmartThings, owns, what might be, the smartest home in America. The suburban Cabin John Maryland home, originally built in 2005, has been retrofitted with over 150 connected devices controlled by a hub and smartphone. <br />
<br />
CREDIT: Matt Roth for The Wall Street Journal
    140611_Smartest_Home_In_America_009.JPG
  • Cabin John, Maryland - June 11, 2014: Alex Hawkinson uses a Jawbone Up 24 wearable to communicate with his house. When he falls asleep, the house adjusts the temperature, turns off any lights left on in the house, and if he falls asleep watching TV on the couch, it turns it off. It also senses when he wakes up in the morning, turns on the lights in the kitchen and starts brewing coffee. The SmartThings utilizes an open platform so developers from third parties, like Jawbone, can integrate their technology.<br />
<br />
Hawkinson, founder and CEO of SmartThings, owns, what might be, the smartest home in America. The suburban Cabin John Maryland home, originally built in 2005, has been retrofitted with over 150 connected devices controlled by a hub and smartphone. <br />
<br />
CREDIT: Matt Roth for The Wall Street Journal
    140611_Smartest_Home_In_America_006.JPG
  • Cabin John, Maryland - June 11, 2014: (NOTE: MR HAWKINSON WOULD PREFER IF THE ADDRESS NUMBER IS OBSCURED. PLEASE BLUR OUT IF YOU USE PHOTO. THANKS!) Alex Hawkinson, founder and CEO of SmartThings, owns, what might be, the smartest home in America. The suburban Cabin John Maryland home, originally built in 2005, has been retrofitted with over 150 connected devices controlled by a hub and smartphone. <br />
<br />
CREDIT: Matt Roth for The Wall Street Journal
    140611_Smartest_Home_In_America_035.JPG
  • Baltimore, Maryland - February 09, 2014: Andrew Lowrey, a former butler and owner of Precise Home Management, trains domestic staff inside a historic Baltimore row-home.<br />
<br />
CREDIT: Matt Roth for The New York Times
    140209_Andrew_Lowrey_105.JPG
  • Baltimore, Maryland - April 25, 2017: Return to Instinct (Brittni Mann, choreographer) <br />
Developed by the literal idea that home is where the heart is. It evolved into exploring how home can be good or bad and is always shifting. Perhaps home is not a place but a feeling, a sentiment.<br />
Dancers use red-ish oversized flannel shirts as props.  <br />
<br />
Baltimore modern dance company The Collective's annual concert "This is Home" at the Baltimore Theatre Project. <br />
<br />
<br />
CREDIT: Matt Roth
    170425_The_Collective_This_is_Home_2...JPG
  • Baltimore, Maryland - April 25, 2017: Return to Instinct (Brittni Mann, choreographer) <br />
Developed by the literal idea that home is where the heart is. It evolved into exploring how home can be good or bad and is always shifting. Perhaps home is not a place but a feeling, a sentiment.<br />
Dancers use red-ish oversized flannel shirts as props.  <br />
<br />
Baltimore modern dance company The Collective's annual concert "This is Home" at the Baltimore Theatre Project. <br />
<br />
<br />
CREDIT: Matt Roth
    170425_The_Collective_This_is_Home_2...JPG
  • Baltimore, Maryland - April 25, 2017: Return to Instinct (Brittni Mann, choreographer) <br />
Developed by the literal idea that home is where the heart is. It evolved into exploring how home can be good or bad and is always shifting. Perhaps home is not a place but a feeling, a sentiment.<br />
Dancers use red-ish oversized flannel shirts as props.  <br />
<br />
Baltimore modern dance company The Collective's annual concert "This is Home" at the Baltimore Theatre Project. <br />
<br />
<br />
CREDIT: Matt Roth
    170425_The_Collective_This_is_Home_2...JPG
  • Baltimore, Maryland - April 25, 2017: Return to Instinct (Brittni Mann, choreographer) <br />
Developed by the literal idea that home is where the heart is. It evolved into exploring how home can be good or bad and is always shifting. Perhaps home is not a place but a feeling, a sentiment.<br />
Dancers use red-ish oversized flannel shirts as props.  <br />
<br />
Baltimore modern dance company The Collective's annual concert "This is Home" at the Baltimore Theatre Project. <br />
<br />
<br />
CREDIT: Matt Roth
    170425_The_Collective_This_is_Home_2...JPG
  • Baltimore, Maryland - April 25, 2017: Return to Instinct (Brittni Mann, choreographer) <br />
Developed by the literal idea that home is where the heart is. It evolved into exploring how home can be good or bad and is always shifting. Perhaps home is not a place but a feeling, a sentiment.<br />
Dancers use red-ish oversized flannel shirts as props.  <br />
<br />
Baltimore modern dance company The Collective's annual concert "This is Home" at the Baltimore Theatre Project. <br />
<br />
<br />
CREDIT: Matt Roth
    170425_The_Collective_This_is_Home_1...JPG
  • Baltimore, Maryland - April 25, 2017: Return to Instinct (Brittni Mann, choreographer) <br />
Developed by the literal idea that home is where the heart is. It evolved into exploring how home can be good or bad and is always shifting. Perhaps home is not a place but a feeling, a sentiment.<br />
Dancers use red-ish oversized flannel shirts as props.  <br />
<br />
Baltimore modern dance company The Collective's annual concert "This is Home" at the Baltimore Theatre Project. <br />
<br />
<br />
CREDIT: Matt Roth
    170425_The_Collective_This_is_Home_1...JPG
  • Baltimore, Maryland - April 25, 2017: Return to Instinct (Brittni Mann, choreographer) <br />
Developed by the literal idea that home is where the heart is. It evolved into exploring how home can be good or bad and is always shifting. Perhaps home is not a place but a feeling, a sentiment.<br />
Dancers use red-ish oversized flannel shirts as props.  <br />
<br />
Baltimore modern dance company The Collective's annual concert "This is Home" at the Baltimore Theatre Project. <br />
<br />
<br />
CREDIT: Matt Roth
    170425_The_Collective_This_is_Home_1...JPG
  • Baltimore, Maryland - April 25, 2017: Return to Instinct (Brittni Mann, choreographer) <br />
Developed by the literal idea that home is where the heart is. It evolved into exploring how home can be good or bad and is always shifting. Perhaps home is not a place but a feeling, a sentiment.<br />
Dancers use red-ish oversized flannel shirts as props.  <br />
<br />
Baltimore modern dance company The Collective's annual concert "This is Home" at the Baltimore Theatre Project. <br />
<br />
<br />
CREDIT: Matt Roth
    170425_The_Collective_This_is_Home_1...JPG
  • Baltimore, Maryland - April 25, 2017: Return to Instinct (Brittni Mann, choreographer) <br />
Developed by the literal idea that home is where the heart is. It evolved into exploring how home can be good or bad and is always shifting. Perhaps home is not a place but a feeling, a sentiment.<br />
Dancers use red-ish oversized flannel shirts as props.  <br />
<br />
Baltimore modern dance company The Collective's annual concert "This is Home" at the Baltimore Theatre Project. <br />
<br />
<br />
CREDIT: Matt Roth
    170425_The_Collective_This_is_Home_1...JPG
  • Baltimore, Maryland - April 25, 2017: Return to Instinct (Brittni Mann, choreographer) <br />
Developed by the literal idea that home is where the heart is. It evolved into exploring how home can be good or bad and is always shifting. Perhaps home is not a place but a feeling, a sentiment.<br />
Dancers use red-ish oversized flannel shirts as props.  <br />
<br />
Baltimore modern dance company The Collective's annual concert "This is Home" at the Baltimore Theatre Project. <br />
<br />
<br />
CREDIT: Matt Roth
    170425_The_Collective_This_is_Home_1...JPG
  • Baltimore, Maryland - April 25, 2017: Return to Instinct (Brittni Mann, choreographer) <br />
Developed by the literal idea that home is where the heart is. It evolved into exploring how home can be good or bad and is always shifting. Perhaps home is not a place but a feeling, a sentiment.<br />
Dancers use red-ish oversized flannel shirts as props.  <br />
<br />
Baltimore modern dance company The Collective's annual concert "This is Home" at the Baltimore Theatre Project. <br />
<br />
<br />
CREDIT: Matt Roth
    170425_The_Collective_This_is_Home_1...JPG
  • Baltimore, Maryland - April 25, 2017: Return to Instinct (Brittni Mann, choreographer) <br />
Developed by the literal idea that home is where the heart is. It evolved into exploring how home can be good or bad and is always shifting. Perhaps home is not a place but a feeling, a sentiment.<br />
Dancers use red-ish oversized flannel shirts as props.  <br />
<br />
Baltimore modern dance company The Collective's annual concert "This is Home" at the Baltimore Theatre Project. <br />
<br />
<br />
CREDIT: Matt Roth
    170425_The_Collective_This_is_Home_1...JPG
  • Baltimore, Maryland - April 25, 2017: Return to Instinct (Brittni Mann, choreographer) <br />
Developed by the literal idea that home is where the heart is. It evolved into exploring how home can be good or bad and is always shifting. Perhaps home is not a place but a feeling, a sentiment.<br />
Dancers use red-ish oversized flannel shirts as props.  <br />
<br />
Baltimore modern dance company The Collective's annual concert "This is Home" at the Baltimore Theatre Project. <br />
<br />
<br />
CREDIT: Matt Roth
    170425_The_Collective_This_is_Home_1...JPG
  • Baltimore, Maryland - April 25, 2017: Return to Instinct (Brittni Mann, choreographer) <br />
Developed by the literal idea that home is where the heart is. It evolved into exploring how home can be good or bad and is always shifting. Perhaps home is not a place but a feeling, a sentiment.<br />
Dancers use red-ish oversized flannel shirts as props.  <br />
<br />
Baltimore modern dance company The Collective's annual concert "This is Home" at the Baltimore Theatre Project. <br />
<br />
<br />
CREDIT: Matt Roth
    170425_The_Collective_This_is_Home_1...JPG
  • Baltimore, Maryland - April 25, 2017: Return to Instinct (Brittni Mann, choreographer) <br />
Developed by the literal idea that home is where the heart is. It evolved into exploring how home can be good or bad and is always shifting. Perhaps home is not a place but a feeling, a sentiment.<br />
Dancers use red-ish oversized flannel shirts as props.  <br />
<br />
Baltimore modern dance company The Collective's annual concert "This is Home" at the Baltimore Theatre Project. <br />
<br />
<br />
CREDIT: Matt Roth
    170425_The_Collective_This_is_Home_1...JPG
  • Baltimore, Maryland - April 25, 2017: Here is my home. (Lynne Price and Kristen Yeung, choreographers)<br />
This is an extension of a duet from last year.  It has a set piece which looks like hammock strings running from wall to wall.  <br />
Contemplating the relationship between architecture, scale, and the body while exploring the place-making process, emotional space, and anatomy of "home.”<br />
<br />
Baltimore modern dance company The Collective's annual concert "This is Home" at the Baltimore Theatre Project. <br />
<br />
<br />
CREDIT: Matt Roth
    170425_The_Collective_This_is_Home_1...JPG
  • Baltimore, Maryland - April 25, 2017: Here is my home. (Lynne Price and Kristen Yeung, choreographers)<br />
This is an extension of a duet from last year.  It has a set piece which looks like hammock strings running from wall to wall.  <br />
Contemplating the relationship between architecture, scale, and the body while exploring the place-making process, emotional space, and anatomy of "home.”<br />
<br />
Baltimore modern dance company The Collective's annual concert "This is Home" at the Baltimore Theatre Project. <br />
<br />
<br />
CREDIT: Matt Roth
    170425_The_Collective_This_is_Home_1...JPG
  • Baltimore, Maryland - April 25, 2017: Here is my home. (Lynne Price and Kristen Yeung, choreographers)<br />
This is an extension of a duet from last year.  It has a set piece which looks like hammock strings running from wall to wall.  <br />
Contemplating the relationship between architecture, scale, and the body while exploring the place-making process, emotional space, and anatomy of "home.”<br />
<br />
Baltimore modern dance company The Collective's annual concert "This is Home" at the Baltimore Theatre Project. <br />
<br />
<br />
CREDIT: Matt Roth
    170425_The_Collective_This_is_Home_1...JPG
  • Baltimore, Maryland - April 25, 2017: Here is my home. (Lynne Price and Kristen Yeung, choreographers)<br />
This is an extension of a duet from last year.  It has a set piece which looks like hammock strings running from wall to wall.  <br />
Contemplating the relationship between architecture, scale, and the body while exploring the place-making process, emotional space, and anatomy of "home.”<br />
<br />
Baltimore modern dance company The Collective's annual concert "This is Home" at the Baltimore Theatre Project. <br />
<br />
<br />
CREDIT: Matt Roth
    170425_The_Collective_This_is_Home_1...JPG
  • Baltimore, Maryland - April 25, 2017: Here is my home. (Lynne Price and Kristen Yeung, choreographers)<br />
This is an extension of a duet from last year.  It has a set piece which looks like hammock strings running from wall to wall.  <br />
Contemplating the relationship between architecture, scale, and the body while exploring the place-making process, emotional space, and anatomy of "home.”<br />
<br />
Baltimore modern dance company The Collective's annual concert "This is Home" at the Baltimore Theatre Project. <br />
<br />
<br />
CREDIT: Matt Roth
    170425_The_Collective_This_is_Home_1...JPG
  • Baltimore, Maryland - April 25, 2017: Here is my home. (Lynne Price and Kristen Yeung, choreographers)<br />
This is an extension of a duet from last year.  It has a set piece which looks like hammock strings running from wall to wall.  <br />
Contemplating the relationship between architecture, scale, and the body while exploring the place-making process, emotional space, and anatomy of "home.”<br />
<br />
Baltimore modern dance company The Collective's annual concert "This is Home" at the Baltimore Theatre Project. <br />
<br />
<br />
CREDIT: Matt Roth
    170425_The_Collective_This_is_Home_1...JPG
  • Baltimore, Maryland - April 25, 2017: Here is my home. (Lynne Price and Kristen Yeung, choreographers)<br />
This is an extension of a duet from last year.  It has a set piece which looks like hammock strings running from wall to wall.  <br />
Contemplating the relationship between architecture, scale, and the body while exploring the place-making process, emotional space, and anatomy of "home.”<br />
<br />
Baltimore modern dance company The Collective's annual concert "This is Home" at the Baltimore Theatre Project. <br />
<br />
<br />
CREDIT: Matt Roth
    170425_The_Collective_This_is_Home_1...JPG
  • Baltimore, Maryland - April 25, 2017: Here is my home. (Lynne Price and Kristen Yeung, choreographers)<br />
This is an extension of a duet from last year.  It has a set piece which looks like hammock strings running from wall to wall.  <br />
Contemplating the relationship between architecture, scale, and the body while exploring the place-making process, emotional space, and anatomy of "home.”<br />
<br />
Baltimore modern dance company The Collective's annual concert "This is Home" at the Baltimore Theatre Project. <br />
<br />
<br />
CREDIT: Matt Roth
    170425_The_Collective_This_is_Home_1...JPG
  • Baltimore, Maryland - April 25, 2017: Here is my home. (Lynne Price and Kristen Yeung, choreographers)<br />
This is an extension of a duet from last year.  It has a set piece which looks like hammock strings running from wall to wall.  <br />
Contemplating the relationship between architecture, scale, and the body while exploring the place-making process, emotional space, and anatomy of "home.”<br />
<br />
Baltimore modern dance company The Collective's annual concert "This is Home" at the Baltimore Theatre Project. <br />
<br />
<br />
CREDIT: Matt Roth
    170425_The_Collective_This_is_Home_1...JPG
  • Baltimore, Maryland - April 25, 2017: Collective Stories  (Iyun Ashani Harrison, choreographer)<br />
Guest choreographer Iyun Ashani Harrison, Artistic Director of Ashani Dances, delves into the childhood memories of his all-female cast in creating Collective Stories.  The dancers' conceptions of "home" act at once as sources of joy and hurt.  Uses the idea of being a foreigner in your own home.   <br />
<br />
Baltimore modern dance company The Collective's annual concert "This is Home" at the Baltimore Theatre Project. <br />
<br />
<br />
CREDIT: Matt Roth
    170425_The_Collective_This_is_Home_1...JPG
  • Baltimore, Maryland - April 25, 2017: Collective Stories  (Iyun Ashani Harrison, choreographer)<br />
Guest choreographer Iyun Ashani Harrison, Artistic Director of Ashani Dances, delves into the childhood memories of his all-female cast in creating Collective Stories.  The dancers' conceptions of "home" act at once as sources of joy and hurt.  Uses the idea of being a foreigner in your own home.   <br />
<br />
Baltimore modern dance company The Collective's annual concert "This is Home" at the Baltimore Theatre Project. <br />
<br />
<br />
CREDIT: Matt Roth
    170425_The_Collective_This_is_Home_1...JPG
  • Baltimore, Maryland - April 25, 2017: Collective Stories  (Iyun Ashani Harrison, choreographer)<br />
Guest choreographer Iyun Ashani Harrison, Artistic Director of Ashani Dances, delves into the childhood memories of his all-female cast in creating Collective Stories.  The dancers' conceptions of "home" act at once as sources of joy and hurt.  Uses the idea of being a foreigner in your own home.   <br />
<br />
Baltimore modern dance company The Collective's annual concert "This is Home" at the Baltimore Theatre Project. <br />
<br />
<br />
CREDIT: Matt Roth
    170425_The_Collective_This_is_Home_1...JPG
  • Baltimore, Maryland - April 25, 2017: Collective Stories  (Iyun Ashani Harrison, choreographer)<br />
Guest choreographer Iyun Ashani Harrison, Artistic Director of Ashani Dances, delves into the childhood memories of his all-female cast in creating Collective Stories.  The dancers' conceptions of "home" act at once as sources of joy and hurt.  Uses the idea of being a foreigner in your own home.   <br />
<br />
Baltimore modern dance company The Collective's annual concert "This is Home" at the Baltimore Theatre Project. <br />
<br />
<br />
CREDIT: Matt Roth
    170425_The_Collective_This_is_Home_1...JPG
  • Baltimore, Maryland - April 25, 2017: Collective Stories  (Iyun Ashani Harrison, choreographer)<br />
Guest choreographer Iyun Ashani Harrison, Artistic Director of Ashani Dances, delves into the childhood memories of his all-female cast in creating Collective Stories.  The dancers' conceptions of "home" act at once as sources of joy and hurt.  Uses the idea of being a foreigner in your own home.   <br />
<br />
Baltimore modern dance company The Collective's annual concert "This is Home" at the Baltimore Theatre Project. <br />
<br />
<br />
CREDIT: Matt Roth
    170425_The_Collective_This_is_Home_1...JPG
  • Baltimore, Maryland - April 25, 2017: Collective Stories  (Iyun Ashani Harrison, choreographer)<br />
Guest choreographer Iyun Ashani Harrison, Artistic Director of Ashani Dances, delves into the childhood memories of his all-female cast in creating Collective Stories.  The dancers' conceptions of "home" act at once as sources of joy and hurt.  Uses the idea of being a foreigner in your own home.   <br />
<br />
Baltimore modern dance company The Collective's annual concert "This is Home" at the Baltimore Theatre Project. <br />
<br />
<br />
CREDIT: Matt Roth
    170425_The_Collective_This_is_Home_1...JPG
  • Baltimore, Maryland - April 25, 2017: Collective Stories  (Iyun Ashani Harrison, choreographer)<br />
Guest choreographer Iyun Ashani Harrison, Artistic Director of Ashani Dances, delves into the childhood memories of his all-female cast in creating Collective Stories.  The dancers' conceptions of "home" act at once as sources of joy and hurt.  Uses the idea of being a foreigner in your own home.   <br />
<br />
Baltimore modern dance company The Collective's annual concert "This is Home" at the Baltimore Theatre Project. <br />
<br />
<br />
CREDIT: Matt Roth
    170425_The_Collective_This_is_Home_1...JPG
  • Baltimore, Maryland - April 25, 2017: Collective Stories  (Iyun Ashani Harrison, choreographer)<br />
Guest choreographer Iyun Ashani Harrison, Artistic Director of Ashani Dances, delves into the childhood memories of his all-female cast in creating Collective Stories.  The dancers' conceptions of "home" act at once as sources of joy and hurt.  Uses the idea of being a foreigner in your own home.   <br />
<br />
Baltimore modern dance company The Collective's annual concert "This is Home" at the Baltimore Theatre Project. <br />
<br />
<br />
CREDIT: Matt Roth
    170425_The_Collective_This_is_Home_1...JPG
  • Baltimore, Maryland - April 25, 2017: Collective Stories  (Iyun Ashani Harrison, choreographer)<br />
Guest choreographer Iyun Ashani Harrison, Artistic Director of Ashani Dances, delves into the childhood memories of his all-female cast in creating Collective Stories.  The dancers' conceptions of "home" act at once as sources of joy and hurt.  Uses the idea of being a foreigner in your own home.   <br />
<br />
Baltimore modern dance company The Collective's annual concert "This is Home" at the Baltimore Theatre Project. <br />
<br />
<br />
CREDIT: Matt Roth
    170425_The_Collective_This_is_Home_1...JPG
  • Baltimore, Maryland - April 25, 2017: Collective Stories  (Iyun Ashani Harrison, choreographer)<br />
Guest choreographer Iyun Ashani Harrison, Artistic Director of Ashani Dances, delves into the childhood memories of his all-female cast in creating Collective Stories.  The dancers' conceptions of "home" act at once as sources of joy and hurt.  Uses the idea of being a foreigner in your own home.   <br />
<br />
Baltimore modern dance company The Collective's annual concert "This is Home" at the Baltimore Theatre Project. <br />
<br />
<br />
CREDIT: Matt Roth
    170425_The_Collective_This_is_Home_1...JPG
  • Baltimore, Maryland - April 25, 2017: Collective Stories  (Iyun Ashani Harrison, choreographer)<br />
Guest choreographer Iyun Ashani Harrison, Artistic Director of Ashani Dances, delves into the childhood memories of his all-female cast in creating Collective Stories.  The dancers' conceptions of "home" act at once as sources of joy and hurt.  Uses the idea of being a foreigner in your own home.   <br />
<br />
Baltimore modern dance company The Collective's annual concert "This is Home" at the Baltimore Theatre Project. <br />
<br />
<br />
CREDIT: Matt Roth
    170425_The_Collective_This_is_Home_1...JPG
  • Baltimore, Maryland - April 25, 2017: Collective Stories  (Iyun Ashani Harrison, choreographer)<br />
Guest choreographer Iyun Ashani Harrison, Artistic Director of Ashani Dances, delves into the childhood memories of his all-female cast in creating Collective Stories.  The dancers' conceptions of "home" act at once as sources of joy and hurt.  Uses the idea of being a foreigner in your own home.   <br />
<br />
Baltimore modern dance company The Collective's annual concert "This is Home" at the Baltimore Theatre Project. <br />
<br />
<br />
CREDIT: Matt Roth
    170425_The_Collective_This_is_Home_1...JPG
  • Baltimore, Maryland - April 25, 2017: Collective Stories  (Iyun Ashani Harrison, choreographer)<br />
Guest choreographer Iyun Ashani Harrison, Artistic Director of Ashani Dances, delves into the childhood memories of his all-female cast in creating Collective Stories.  The dancers' conceptions of "home" act at once as sources of joy and hurt.  Uses the idea of being a foreigner in your own home.   <br />
<br />
Baltimore modern dance company The Collective's annual concert "This is Home" at the Baltimore Theatre Project. <br />
<br />
<br />
CREDIT: Matt Roth
    170425_The_Collective_This_is_Home_1...JPG
  • Baltimore, Maryland - April 25, 2017: Collective Stories  (Iyun Ashani Harrison, choreographer)<br />
Guest choreographer Iyun Ashani Harrison, Artistic Director of Ashani Dances, delves into the childhood memories of his all-female cast in creating Collective Stories.  The dancers' conceptions of "home" act at once as sources of joy and hurt.  Uses the idea of being a foreigner in your own home.   <br />
<br />
Baltimore modern dance company The Collective's annual concert "This is Home" at the Baltimore Theatre Project. <br />
<br />
<br />
CREDIT: Matt Roth
    170425_The_Collective_This_is_Home_1...JPG
  • Baltimore, Maryland - April 25, 2017: Collective Stories  (Iyun Ashani Harrison, choreographer)<br />
Guest choreographer Iyun Ashani Harrison, Artistic Director of Ashani Dances, delves into the childhood memories of his all-female cast in creating Collective Stories.  The dancers' conceptions of "home" act at once as sources of joy and hurt.  Uses the idea of being a foreigner in your own home.   <br />
<br />
Baltimore modern dance company The Collective's annual concert "This is Home" at the Baltimore Theatre Project. <br />
<br />
<br />
CREDIT: Matt Roth
    170425_The_Collective_This_is_Home_1...JPG
  • Baltimore, Maryland - April 25, 2017: Roarshock Convoy (Sarah Beth Oppenheim, choreographer)<br />
Frustration with the status quo, somewhat political take on home <br />
This piece uses projection which is shown against the back wall.  <br />
<br />
Baltimore modern dance company The Collective's annual concert "This is Home" at the Baltimore Theatre Project. <br />
<br />
<br />
CREDIT: Matt Roth
    170425_The_Collective_This_is_Home_1...JPG
  • Baltimore, Maryland - April 25, 2017: Roarshock Convoy (Sarah Beth Oppenheim, choreographer)<br />
Frustration with the status quo, somewhat political take on home <br />
This piece uses projection which is shown against the back wall.  <br />
<br />
Baltimore modern dance company The Collective's annual concert "This is Home" at the Baltimore Theatre Project. <br />
<br />
<br />
CREDIT: Matt Roth
    170425_The_Collective_This_is_Home_1...JPG
  • Baltimore, Maryland - April 25, 2017: Roarshock Convoy (Sarah Beth Oppenheim, choreographer)<br />
Frustration with the status quo, somewhat political take on home <br />
This piece uses projection which is shown against the back wall.  <br />
<br />
Baltimore modern dance company The Collective's annual concert "This is Home" at the Baltimore Theatre Project. <br />
<br />
<br />
CREDIT: Matt Roth
    170425_The_Collective_This_is_Home_1...JPG
  • Baltimore, Maryland - April 25, 2017: Roarshock Convoy (Sarah Beth Oppenheim, choreographer)<br />
Frustration with the status quo, somewhat political take on home <br />
This piece uses projection which is shown against the back wall.  <br />
<br />
Baltimore modern dance company The Collective's annual concert "This is Home" at the Baltimore Theatre Project. <br />
<br />
<br />
CREDIT: Matt Roth
    170425_The_Collective_This_is_Home_1...JPG
  • Baltimore, Maryland - April 25, 2017: Roarshock Convoy (Sarah Beth Oppenheim, choreographer)<br />
Frustration with the status quo, somewhat political take on home <br />
This piece uses projection which is shown against the back wall.  <br />
<br />
Baltimore modern dance company The Collective's annual concert "This is Home" at the Baltimore Theatre Project. <br />
<br />
<br />
CREDIT: Matt Roth
    170425_The_Collective_This_is_Home_1...JPG
  • Baltimore, Maryland - April 25, 2017: Roarshock Convoy (Sarah Beth Oppenheim, choreographer)<br />
Frustration with the status quo, somewhat political take on home <br />
This piece uses projection which is shown against the back wall.  <br />
<br />
Baltimore modern dance company The Collective's annual concert "This is Home" at the Baltimore Theatre Project. <br />
<br />
<br />
CREDIT: Matt Roth
    170425_The_Collective_This_is_Home_1...JPG
  • Baltimore, Maryland - April 25, 2017: Roarshock Convoy (Sarah Beth Oppenheim, choreographer)<br />
Frustration with the status quo, somewhat political take on home <br />
This piece uses projection which is shown against the back wall.  <br />
<br />
Baltimore modern dance company The Collective's annual concert "This is Home" at the Baltimore Theatre Project. <br />
<br />
<br />
CREDIT: Matt Roth
    170425_The_Collective_This_is_Home_1...JPG
  • Baltimore, Maryland - April 25, 2017: Roarshock Convoy (Sarah Beth Oppenheim, choreographer)<br />
Frustration with the status quo, somewhat political take on home <br />
This piece uses projection which is shown against the back wall.  <br />
<br />
Baltimore modern dance company The Collective's annual concert "This is Home" at the Baltimore Theatre Project. <br />
<br />
<br />
CREDIT: Matt Roth
    170425_The_Collective_This_is_Home_1...JPG
  • Baltimore, Maryland - April 25, 2017: Roarshock Convoy (Sarah Beth Oppenheim, choreographer)<br />
Frustration with the status quo, somewhat political take on home <br />
This piece uses projection which is shown against the back wall.  <br />
<br />
Baltimore modern dance company The Collective's annual concert "This is Home" at the Baltimore Theatre Project. <br />
<br />
<br />
CREDIT: Matt Roth
    170425_The_Collective_This_is_Home_1...JPG
  • Baltimore, Maryland - April 25, 2017: Roarshock Convoy (Sarah Beth Oppenheim, choreographer)<br />
Frustration with the status quo, somewhat political take on home <br />
This piece uses projection which is shown against the back wall.  <br />
<br />
Baltimore modern dance company The Collective's annual concert "This is Home" at the Baltimore Theatre Project. <br />
<br />
<br />
CREDIT: Matt Roth
    170425_The_Collective_This_is_Home_1...JPG
  • Baltimore, Maryland - April 25, 2017: Hon Down to Hon Up (Adrienne Kraus Latanishen, choreographer)<br />
Finding inspiration close to home, Adrienne Kraus Latanishen’s quirky and fast-paced take on B’more living titled Hon Up to Hon Down pays tribute to iconic Baltimore through one whirlwind day in the city.<br />
<br />
Baltimore modern dance company The Collective's annual concert "This is Home" at the Baltimore Theatre Project. <br />
<br />
<br />
CREDIT: Matt Roth
    170425_The_Collective_This_is_Home_1...JPG
  • Baltimore, Maryland - April 25, 2017: Hon Down to Hon Up (Adrienne Kraus Latanishen, choreographer)<br />
Finding inspiration close to home, Adrienne Kraus Latanishen’s quirky and fast-paced take on B’more living titled Hon Up to Hon Down pays tribute to iconic Baltimore through one whirlwind day in the city.<br />
<br />
Baltimore modern dance company The Collective's annual concert "This is Home" at the Baltimore Theatre Project. <br />
<br />
<br />
CREDIT: Matt Roth
    170425_The_Collective_This_is_Home_1...JPG
  • Baltimore, Maryland - April 25, 2017: Hon Down to Hon Up (Adrienne Kraus Latanishen, choreographer)<br />
Finding inspiration close to home, Adrienne Kraus Latanishen’s quirky and fast-paced take on B’more living titled Hon Up to Hon Down pays tribute to iconic Baltimore through one whirlwind day in the city.<br />
<br />
Baltimore modern dance company The Collective's annual concert "This is Home" at the Baltimore Theatre Project. <br />
<br />
<br />
CREDIT: Matt Roth
    170425_The_Collective_This_is_Home_1...JPG
  • Baltimore, Maryland - April 25, 2017: Hon Down to Hon Up (Adrienne Kraus Latanishen, choreographer)<br />
Finding inspiration close to home, Adrienne Kraus Latanishen’s quirky and fast-paced take on B’more living titled Hon Up to Hon Down pays tribute to iconic Baltimore through one whirlwind day in the city.<br />
<br />
Baltimore modern dance company The Collective's annual concert "This is Home" at the Baltimore Theatre Project. <br />
<br />
<br />
CREDIT: Matt Roth
    170425_The_Collective_This_is_Home_1...JPG
  • Baltimore, Maryland - April 25, 2017: Hon Down to Hon Up (Adrienne Kraus Latanishen, choreographer)<br />
Finding inspiration close to home, Adrienne Kraus Latanishen’s quirky and fast-paced take on B’more living titled Hon Up to Hon Down pays tribute to iconic Baltimore through one whirlwind day in the city.<br />
<br />
Baltimore modern dance company The Collective's annual concert "This is Home" at the Baltimore Theatre Project. <br />
<br />
<br />
CREDIT: Matt Roth
    170425_The_Collective_This_is_Home_1...JPG
  • Baltimore, Maryland - April 25, 2017: Hon Down to Hon Up (Adrienne Kraus Latanishen, choreographer)<br />
Finding inspiration close to home, Adrienne Kraus Latanishen’s quirky and fast-paced take on B’more living titled Hon Up to Hon Down pays tribute to iconic Baltimore through one whirlwind day in the city.<br />
<br />
Baltimore modern dance company The Collective's annual concert "This is Home" at the Baltimore Theatre Project. <br />
<br />
<br />
CREDIT: Matt Roth
    170425_The_Collective_This_is_Home_0...JPG
  • Baltimore, Maryland - April 25, 2017: Hon Down to Hon Up (Adrienne Kraus Latanishen, choreographer)<br />
Finding inspiration close to home, Adrienne Kraus Latanishen’s quirky and fast-paced take on B’more living titled Hon Up to Hon Down pays tribute to iconic Baltimore through one whirlwind day in the city.<br />
<br />
Baltimore modern dance company The Collective's annual concert "This is Home" at the Baltimore Theatre Project. <br />
<br />
<br />
CREDIT: Matt Roth
    170425_The_Collective_This_is_Home_1...JPG
  • Baltimore, Maryland - April 25, 2017: Hon Down to Hon Up (Adrienne Kraus Latanishen, choreographer)<br />
Finding inspiration close to home, Adrienne Kraus Latanishen’s quirky and fast-paced take on B’more living titled Hon Up to Hon Down pays tribute to iconic Baltimore through one whirlwind day in the city.<br />
<br />
Baltimore modern dance company The Collective's annual concert "This is Home" at the Baltimore Theatre Project. <br />
<br />
<br />
CREDIT: Matt Roth
    170425_The_Collective_This_is_Home_0...JPG
  • Baltimore, Maryland - April 25, 2017: Hon Down to Hon Up (Adrienne Kraus Latanishen, choreographer)<br />
Finding inspiration close to home, Adrienne Kraus Latanishen’s quirky and fast-paced take on B’more living titled Hon Up to Hon Down pays tribute to iconic Baltimore through one whirlwind day in the city.<br />
<br />
Baltimore modern dance company The Collective's annual concert "This is Home" at the Baltimore Theatre Project. <br />
<br />
<br />
CREDIT: Matt Roth
    170425_The_Collective_This_is_Home_0...JPG
  • Baltimore, Maryland - April 25, 2017: Hon Down to Hon Up (Adrienne Kraus Latanishen, choreographer)<br />
Finding inspiration close to home, Adrienne Kraus Latanishen’s quirky and fast-paced take on B’more living titled Hon Up to Hon Down pays tribute to iconic Baltimore through one whirlwind day in the city.<br />
<br />
Baltimore modern dance company The Collective's annual concert "This is Home" at the Baltimore Theatre Project. <br />
<br />
<br />
CREDIT: Matt Roth
    170425_The_Collective_This_is_Home_0...JPG
  • Baltimore, Maryland - April 25, 2017: Hon Down to Hon Up (Adrienne Kraus Latanishen, choreographer)<br />
Finding inspiration close to home, Adrienne Kraus Latanishen’s quirky and fast-paced take on B’more living titled Hon Up to Hon Down pays tribute to iconic Baltimore through one whirlwind day in the city.<br />
<br />
Baltimore modern dance company The Collective's annual concert "This is Home" at the Baltimore Theatre Project. <br />
<br />
<br />
CREDIT: Matt Roth
    170425_The_Collective_This_is_Home_0...JPG
  • Baltimore, Maryland - April 25, 2017: Hon Down to Hon Up (Adrienne Kraus Latanishen, choreographer)<br />
Finding inspiration close to home, Adrienne Kraus Latanishen’s quirky and fast-paced take on B’more living titled Hon Up to Hon Down pays tribute to iconic Baltimore through one whirlwind day in the city.<br />
<br />
Baltimore modern dance company The Collective's annual concert "This is Home" at the Baltimore Theatre Project. <br />
<br />
<br />
CREDIT: Matt Roth
    170425_The_Collective_This_is_Home_0...JPG
  • Baltimore, Maryland - April 25, 2017: Hon Down to Hon Up (Adrienne Kraus Latanishen, choreographer)<br />
Finding inspiration close to home, Adrienne Kraus Latanishen’s quirky and fast-paced take on B’more living titled Hon Up to Hon Down pays tribute to iconic Baltimore through one whirlwind day in the city.<br />
<br />
Baltimore modern dance company The Collective's annual concert "This is Home" at the Baltimore Theatre Project. <br />
<br />
<br />
CREDIT: Matt Roth
    170425_The_Collective_This_is_Home_0...JPG
  • Baltimore, Maryland - April 25, 2017: Hon Down to Hon Up (Adrienne Kraus Latanishen, choreographer)<br />
Finding inspiration close to home, Adrienne Kraus Latanishen’s quirky and fast-paced take on B’more living titled Hon Up to Hon Down pays tribute to iconic Baltimore through one whirlwind day in the city.<br />
<br />
Baltimore modern dance company The Collective's annual concert "This is Home" at the Baltimore Theatre Project. <br />
<br />
<br />
CREDIT: Matt Roth
    170425_The_Collective_This_is_Home_0...JPG
  • Baltimore, Maryland - April 25, 2017: Hon Down to Hon Up (Adrienne Kraus Latanishen, choreographer)<br />
Finding inspiration close to home, Adrienne Kraus Latanishen’s quirky and fast-paced take on B’more living titled Hon Up to Hon Down pays tribute to iconic Baltimore through one whirlwind day in the city.<br />
<br />
Baltimore modern dance company The Collective's annual concert "This is Home" at the Baltimore Theatre Project. <br />
<br />
<br />
CREDIT: Matt Roth
    170425_The_Collective_This_is_Home_0...JPG
  • Baltimore, Maryland - April 25, 2017: Hon Down to Hon Up (Adrienne Kraus Latanishen, choreographer)<br />
Finding inspiration close to home, Adrienne Kraus Latanishen’s quirky and fast-paced take on B’more living titled Hon Up to Hon Down pays tribute to iconic Baltimore through one whirlwind day in the city.<br />
<br />
Baltimore modern dance company The Collective's annual concert "This is Home" at the Baltimore Theatre Project. <br />
<br />
<br />
CREDIT: Matt Roth
    170425_The_Collective_This_is_Home_0...JPG
  • Baltimore, Maryland - April 25, 2017: Hon Down to Hon Up (Adrienne Kraus Latanishen, choreographer)<br />
Finding inspiration close to home, Adrienne Kraus Latanishen’s quirky and fast-paced take on B’more living titled Hon Up to Hon Down pays tribute to iconic Baltimore through one whirlwind day in the city.<br />
<br />
Baltimore modern dance company The Collective's annual concert "This is Home" at the Baltimore Theatre Project. <br />
<br />
<br />
CREDIT: Matt Roth
    170425_The_Collective_This_is_Home_0...JPG
  • Baltimore, Maryland - April 25, 2017: Hon Down to Hon Up (Adrienne Kraus Latanishen, choreographer)<br />
Finding inspiration close to home, Adrienne Kraus Latanishen’s quirky and fast-paced take on B’more living titled Hon Up to Hon Down pays tribute to iconic Baltimore through one whirlwind day in the city.<br />
<br />
Baltimore modern dance company The Collective's annual concert "This is Home" at the Baltimore Theatre Project. <br />
<br />
<br />
CREDIT: Matt Roth
    170425_The_Collective_This_is_Home_0...JPG
  • Baltimore, Maryland - April 25, 2017: Hon Down to Hon Up (Adrienne Kraus Latanishen, choreographer)<br />
Finding inspiration close to home, Adrienne Kraus Latanishen’s quirky and fast-paced take on B’more living titled Hon Up to Hon Down pays tribute to iconic Baltimore through one whirlwind day in the city.<br />
<br />
Baltimore modern dance company The Collective's annual concert "This is Home" at the Baltimore Theatre Project. <br />
<br />
<br />
CREDIT: Matt Roth
    170425_The_Collective_This_is_Home_0...JPG
  • Baltimore, Maryland - April 25, 2017: Hon Down to Hon Up (Adrienne Kraus Latanishen, choreographer)<br />
Finding inspiration close to home, Adrienne Kraus Latanishen’s quirky and fast-paced take on B’more living titled Hon Up to Hon Down pays tribute to iconic Baltimore through one whirlwind day in the city.<br />
<br />
Baltimore modern dance company The Collective's annual concert "This is Home" at the Baltimore Theatre Project. <br />
<br />
<br />
CREDIT: Matt Roth
    170425_The_Collective_This_is_Home_0...JPG
  • Baltimore, Maryland - April 25, 2017: Hon Down to Hon Up (Adrienne Kraus Latanishen, choreographer)<br />
Finding inspiration close to home, Adrienne Kraus Latanishen’s quirky and fast-paced take on B’more living titled Hon Up to Hon Down pays tribute to iconic Baltimore through one whirlwind day in the city.<br />
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Baltimore modern dance company The Collective's annual concert "This is Home" at the Baltimore Theatre Project. <br />
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CREDIT: Matt Roth
    170425_The_Collective_This_is_Home_0...JPG
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